Abstract
Self-Consciousness in Modern British Fiction has argued that self-consciousness plays a dynamic role in a variety of modern British novels. Representations of self-consciousness are a lynchpin of these novels’ attempts to simulate the operations of consciousness. By exploring this relation, this study participates in a critical conversation within cognitive literary studies about novels that offer models of consciousness.
Oh God comma I abhor self-consciousness.
—John Barth
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© 2013 Brook Miller
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Miller, B. (2013). Conclusion. In: Self-Consciousness in Modern British Fiction. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137076656_8
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DOI: https://doi.org/10.1057/9781137076656_8
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-349-34106-1
Online ISBN: 978-1-137-07665-6
eBook Packages: Palgrave Literature CollectionLiterature, Cultural and Media Studies (R0)