Abstract
This chapter examines Chen Kaige’s cultural exile in the national root-searching movement. Shortly after the Cultural Revolution, the root-searching movement was one of the major movements during the cultural fever in the 1980s. The historical catastrophe created an artificial cultural blank that was eagerly filled in with the influx of Western ideologies. The philosophies of Arthur Schopenhauer and Friedrich Nietzsche, Existentialism, black humor, the theater of the absurd, the French new novel, the stream-of-consciousness novel … these schools of philosophy and literature that had brewed in the West for a hundred years poured into China in ten short years. The influx of Western ideologies also created an identity crisis among Chinese intellectuals. Flooded by Western thoughts, intellectuals began to ponder the indigenous identity of Chinese civilization. Thus, countering the movement of westernization, a root-searching impulse appear as a way of rediscovering the ancient indigenous Chinese culture before the intervention of the May Fourth movement, communist ideology, and the Cultural Revolution. During the root-searching movement, Confucianism, Neo-Confucianism, Taoism, and Zen Buddhism were among the most examined ancient Chinese thought.
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Notes
Rey Chow, Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema (New York: Columbia University Press, 1995).
Dai Jinhua, Cinema and Desire (London: Verso, 2002), 27.
See An Jingfu, “The Pain of a Half Taoist: Taoist Principles, Chinese Landscape Painting, and King of the Children,” in Cinematic Landscape, ed. Linda Ehrlich and David Desser (Austin: University of Texas Press, 1992), 117–127.
Chen Kaige. Wo de qingchun huiyilu: Chen Kaige Zizhuan [Memoir of my youth: autobiography of Chen Kaige], vol. 1 (Beijing: Zhongguo renmin daxue chubanshe, 2009), 144.
Lao Tzu, Tao Te Ching: An New English Version, translated by Stephen Mitchell (Harper Perennial Modern Classics 2006).
See Wendy Larson, “The Concubine and the Figure of History: Chen Kaige’s Farewell, My Concubine,” in Transnational Chinese Cinema, edited by Sheldon Lu (Hawaii: University of Hawaii Press, 1997).
Chuang Tzu, Complete Works of Chuang Tzu (New York: Columbia University Press, 1968), 49.
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© 2012 Hong Zeng
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Zeng, H. (2012). Failure of Root-Searching in Chen Kaige. In: Semiotics of Exile in Contemporary Chinese Film. Semiotics and Popular Culture. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137031631_6
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DOI: https://doi.org/10.1057/9781137031631_6
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-349-43375-9
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