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Abstract

In January 1972, an unexpectedly enormous group of science fiction enthusiasts descended upon the Statler-Hilton Hotel ballroom in New York City to share reminiscences of a television series whose brief run on NBC had ended in 1969, the same year Apollo astronauts first stepped on the Moon.1 The series, set in Earth’s distant but recognizable future, chronicled a thinly disguised version of the National Aeronautics and Space Administration (NASA) at the peak of its 1960s influence—an organization of outsized personalities serving in a progressive, quasi-military organization devoted to exploration of the galaxy.2 Three hundred years into the future, President Lyndon Johnson’s Great Society had been achieved in full—on a planet without poverty or social strife, Americans (who appeared to dominate Earth’s future) seamlessly integrated their terrestrial activities with flight into the deepest reaches of the galaxy. Space travel had brought opportunity and prosperity, including new sources of energy and wealth, colonies and allies, and knowledge exchange with extraterrestrials. Ironically, Star Trek proved even more popular after the Apollo program that had inspired it had waned: its vision progress and internationalism remained deeply attractive to many Americans. NASA, aware of their enthusiasm, answered in kind. Responding to a request from the Star Trek convention’s organizer for the loan of Moon rocks to celebrate the event, NASA offered a trailer’s worth of hardware and memorabilia.3

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Notes

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© 2012 Matthew H. Hersch

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Hersch, M.H. (2012). Public Space. In: Inventing the American Astronaut. Palgrave Studies in the History of Science and Technology. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137025296_6

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  • DOI: https://doi.org/10.1057/9781137025296_6

  • Publisher Name: Palgrave Macmillan, New York

  • Print ISBN: 978-1-137-02528-9

  • Online ISBN: 978-1-137-02529-6

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