Abstract
The temporalities of the image have long been a focus for theoretical and analytical discussion, both in photographic studies, where the paradoxes of ‘stillness’ have been at the centre of debate about the distinctive aesthetics of the medium,1 and in film studies, where the narrative and symbolic organisation of shots which move spectators through the flows and disruptions of seemingly co-present eventuality have required attention in any address as to how cinema works.2 My concern here is with the character of time in documentary film and television, a topic which has received far less direct attention than time in fiction and one which raises distinctive questions not only about audio-visual production but about the broader contours of contemporary processes of knowing in mediated modernity.
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© 2012 John Corner
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Corner, J. (2012). Temporality and Documentary. In: Keightley, E. (eds) Time, Media and Modernity. Palgrave Macmillan, London. https://doi.org/10.1057/9781137020680_4
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DOI: https://doi.org/10.1057/9781137020680_4
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-32537-5
Online ISBN: 978-1-137-02068-0
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