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Women in the City

Fashioning the Self

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Gender, Sex, and the City

Part of the book series: Literatures and Cultures of the Islamic World ((LCIW))

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Abstract

Economic historian C. A. Bayly remarks, “The Muslim poets of Delhi and Agra wove a literary motif out of decline and rarely noted the bustling bazaars behind the decaying palaces.”3 In fact, the teeming life of markets, streets, and social gatherings animates much Urdu poetry of the time. Rekh and nonmystical rekhta evoke the romance of real things, people, and places. Characters in this poetry connect not just through words or thoughts but through letters, gifts, purchases, shared clothing, and food. They design their personalities by fashioning individual styles.

Kyā balā hotī hai kuchh aisī hī dillī kī t̤arḥ

Ki paṛe phiriye jale pāṅ w kī billī kī t̤arḥ

What a pain the modes of Delhi are—

One has to roam around like a cat with burnt feet1

—Inshā2

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Notes

  1. C. A. Bayly, Rulers, Townsmen and Bazaars: North Indian Society in the Age of British Expansion 1770–1870 (Cambridge: Cambridge University Press, 1983), 78.

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© 2012 Ruth Vanita

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Vanita, R. (2012). Women in the City. In: Gender, Sex, and the City. Literatures and Cultures of the Islamic World. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137016560_2

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