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Part of the book series: The New Middle Ages ((TNMA))

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Abstract

The “silencing” of Silence is a rich metaphor for the way medieval women writers chose to express themselves. As R. Howard Bloch has shown, medieval male authors associated women with verbosity and saw their language as a cover for deception. Eve, through her speech and its sexual consequences, created discord between man and God.1 Silence, then, can be seen as the dispossession of women’s voices, and it finds a parallel in other discourses in the century before Le Roman de Silence was written, in particular, theological debates on marriage and sexuality as well as misogynist literature. In this chapter I argue that this evidence shows a preoccupation with women’s ability to own their own power and contributes to an environment in which the proper boundaries of women’s roles were well-defined, whether as wife or as the bride of Christ.

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Notes

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© 2012 Sally A. Livingston

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Livingston, S.A. (2012). Silence, Language, Sexuality. In: Marriage, Property, and Women’s Narratives. The New Middle Ages. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137010865_3

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