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Abstract

There seems to be a Cassirer revival going on. In Germany, especially, the number of dissertations treating Ernst Cassirer’s philosophy, and his philosophy of symbolic forms in particular, is increasing every year. The same trend can be seen in the Anglophone world, where new books on and new translations of Cassirer are coming out every year. Why this renewed interest, one is tempted to ask, and why now? Certainly, there are historical reasons. More and more people have come to realize that Ernst Cassirer – a distinguished philosopher of the German idealist tradition, admirer of Johann Wolfgang von Goethe, pronounced supporter of the Weimar Republic and a cosmopolitan liberal of Jewish background who at the height of his career had to leave his position and flee the Nazis – has not received the attention he rightfully deserves. What incites the present revival, however, is not merely an urge to raise a monument to a great thinker. It is spurred, rather, by pressing current concerns, such as the vacuum left by the receding paradigm of poststructuralism in the cultural sciences, or by the onslaught, across disciplines, of new reductive biologisms in the wake of the recent proliferation of evolutionary psychology and related gene-centred approaches. Furthermore, it is prompted by the way that Cassirer’s philosophy of symbolic forms provides rich and still untapped resources for the ongoing attempts to bridge unproductive intellectual gaps. Cassirer’s thinking is unique in the way that it endeavours to integrate logical concerns, championed by scientifically oriented philosophers, with the concerns of the historical and cultural sciences.

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Notes

  1. For recent discussions of the philosophical significance of the Davos encounter, see Michael Friedman, A Parting of the Ways: Carnap, Cassirer and Heidegger ( Chicago: Open Court, 2000 )

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  3. Ernst Cassirer, The Logic of the Cultural Sciences: Five Studies ( New Haven: Yale University Press, 2000 ), 25.

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  4. Ute Daniels, Kompendium Kulturgeschichte ( Frankfurt am Main: Suhrkamp, 2006 ), 91.

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  6. Original title ‘Form und Technik’, first published in Leo Kestenberg (ed.), Kunst und Technik (Berlin: Wegweiser, 1930), 15–61.

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  9. A dangerous supplement is a supplement that does not blend seamlessly with a given system, but contains elements that undermine or threaten the integrity of the original system. Jacques Derrida, Of Grammatology ( Baltimore: Johns Hopkins University Press, 1997 ).

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© 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited

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Hoel, A.S., Folkvord, I. (2012). Introduction. In: Hoel, A.S., Folkvord, I. (eds) Ernst Cassirer on Form and Technology. Palgrave Macmillan, London. https://doi.org/10.1057/9781137007773_1

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