Abstract
American propaganda leaflets distributed throughout Afghanistan depicted a rictus-faced Osama bin Laden, half-flesh, half-skeleton. Though the caricature was meant to warn Afghanis not to shield the terrorist, it depicted the Al-Qaeda leader as a terrifying shape-shifter. His elusiveness, invisibility, and terrifying mutability intersected with the most profound concern that terrorism cannot really be fought or ever met face-to-face. His death in 2011 inspired further fears of perpetual retaliation.
Reality and fiction are inextricable, and the fascination with the attack is primarily a fascination with the image.
—Jean Baudrillard (2002, 28–29)
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© 2012 Jeanne Colleran
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Colleran, J. (2012). Facing Terror. In: Theatre and War. What is Theatre?. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137006301_6
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DOI: https://doi.org/10.1057/9781137006301_6
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-349-43499-2
Online ISBN: 978-1-137-00630-1
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