Abstract
In the early twenty-first century, fashion is so pervasive that it seems inherent to social and economic life, almost a “natural” thing that no one can escape. However, fashion as we know it — with its powerful industrial infrastructure, its widespread appeal as a career, and its media omnipresence — has not always been around. When and where did it appear? As pointed out by American historian Sarah-Grace Heller, the dominant position among scholars is that fashion originates “in the West in the fourteenth- or fifteenth-century courts of Burgundy or Italy, or more generally with the era referred to as ‘Early Modernity,’”1 that is to say with the European Renaissance, usually considered to have started in the fourteenth century. This academic standpoint on what constitutes the “cradle of fashion” derives from the work of French historian Fernand Braudel, who saw the constant and regular change in dress as a byproduct of the emergence of modernity in Europe. Braudel’s central thesis is that fashion is what sets the West apart from other civilizations that have not known anything comparable until very recently.2
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Notes
Sarah-Grace Heller, Fashion in Medieval France (Cambridge: DS Brewer, 2007). p. 46.
Fernand Braudel, Capitalism and Material Life, 1400–1800 (New York: HarperCollins, 1973).
Valerie Steele, Paris Fashion: A Cultural History, Second Edition ed. (New York: Oxford University Press, 1998). pp. 15–18.
Philippe Perrot, Les Dessus et les dessous de la bourgeoisie: Une histoire du vêtement au XIXe siècle (Paris: Fayard, 1981).
Paul Post, “La naissance du costume masculin moderne au XIVe siècle” (paper presented at the Actes du 1er Congrès international d’histoire du costume, Venise, 1952).
Antonia Finnane, Changing Clothes in China: Fashion, History, Nation (New York: Columbia University Press, 2007).
Plato, G. M. A. Grube, and C. D. C. Reeve, Republic (Indianapolis, IN: Hackett Pub Co, 1992).
And in particular on precious metals in Book 33. See: Pliny the Elder, Natural History, Volume IX, Books 33–35 (Cambridge, MA: Loeb Classical Library, 1952).
For further developments on the way fashion has been theorized throughout history in Western thought, see: Frédéric Godart, Penser la mode (Paris: Institut Français de la Mode/Editions du Regard, 2011).
René König, Kleider und Leute: zur Soziologie der Mode, Orig.-Ausg. ed., Fischer-Bücherei (Frankfurt am Main: Fischer-Bücherei, 1967).
Thorstein Veblen, The Theory of the Leisure Class: An Economic Study of Institutions (New York: Dover Thrift, 1899).
Erving Goffman, Stigma; Notes on the Management of Spoiled Identity, A Spectrum book (Englewood Cliffs, N.J.: Prentice-Hall, 1963).
See remark “M” in: Bernard Mandeville, The Fable of the Bees: Or Private Vices, Publick Benefits (New York: Penguin Classics, [1714] 1989).
Adam Smith, The Theory of Moral Sentiments (Amherst, NY: Prometheus Books, [1759] 2000).
Bruno Latour and Vincent Antonin Lepinay, The Science of Passionate Interests: An Introduction to Gabriel Tarde’s Economic Anthropology (Cambridge: Prickly Paradigm Press, 2010).
Edmond Goblot, La Barrière et le niveau — Étude sociologique sur la bourgeoisie française moderne (Paris: Presses Universitaires de France — PUF, [1925] 2010).
Charles-Louis de Secondat Montesquieu, The Spirit of the Laws (Cambridge: Cambridge University Press, [1758] 1989).
Marie-Christine Natta, La Mode (Paris: Anthropos, 1996).
Michel Grossetti, Sociologie de l’imprévisible: Dynamiques de l’activité et des formes sociales, Sociologie d’aujourd’hui (Paris: Presses Universitaires de France, 2004).
Jean Baudrillard, For a Critique of the Political Economy of the Sign (St. Louis, MO: Telos Press, [1972] 1981).
Werner Sombart, Luxus und Kapitalismus (München: Duncker & Humblot, 1913).
Frédéric Godart, ‘Comment penser la relation entre les concepts de mode et de luxe,’ in Le luxe. Essais sur la fabrique de l’ostentation, ed. Olivier Assouly (Paris: IFM-Regard, 2011).
Elizabeth Wilson, Adorned in Dreams: Fashion and Modernity (New Brunswick, NJ: Rutgers University Press, 2003).
Thorsten Botz-Bornstein, “Rule-Following in Dandyism: ‘Style’ as an Overcoming of ‘Rule’ and ‘Structure’,” The Modern Language Review 90, no. 2 (1995). p. 286.
Paul Hodkinson, Goth: Identity, Style and Subculture (Oxford: Berg, 2002).
Jean-François Amadieu, Le Poids des apparences: Beauté, amour et gloire (O. Jacob, 2002).
Anne Hollander, Seeing Through Clothes (Berkeley: University of California Press, 1993).
Georg Simmel, “Adornment,” in The Sociology of Georg Simmel, ed. Kurt H. Wolff (New York: Free Press, 1950).
Author information
Authors and Affiliations
Copyright information
© 2012 Frédéric Godart
About this chapter
Cite this chapter
Godart, F. (2012). The Affirmation Principle — Fashion, between the Individual and Society. In: Unveiling Fashion. INSEAD Business Press. Palgrave Macmillan, London. https://doi.org/10.1057/9781137000743_2
Download citation
DOI: https://doi.org/10.1057/9781137000743_2
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-34745-2
Online ISBN: 978-1-137-00074-3
eBook Packages: Palgrave Business & Management CollectionBusiness and Management (R0)