Abstract
Faithful readers of Munro’s fiction will encounter familiar material in Too Much Happiness. For a start, the reader might recognize a few images and collocations from previous stories: the narrator’s memory, in “Some Women,” of a summer so hot “the streets of the town… were sprinkled with water to lay the dust”1 recalls the scene Louisa, from “Carried Away,” captures in a letter to soldier Jack Agnew, in the summer of 1917, when she tells of the watering tank dousing the “streets every day, trying to lay the dust” (Open Secrets, p. 8). The startling image for blood loss Munro uses in “The Love of a Good Woman,” in Jeanette Quinn’s dramatic account of Mr. Willens’s death is retrieved in “Dimensions,” at the scene of the accident involving Doree’s bus. Mrs. Quinn tells Enid, with relish, of how the blood from Willens’s head looked like “pink stuff… like when the froth comes up when you’re boiling strawberries to make jam” (The Love of a Good Woman, p. 58). In the later story, the narrator describes the young truck driver lying at the side of the road, bleeding, the “trickle of pink” oozing from under his head “like the stuff you skim off from strawberries when you’re making jam” (Too Much Happiness, p. 30). The graphic image is in keeping with the idiolect of both narrator and focalizer, for it is an ordinary, domestic analogy that working-class women like Doree and Jeanette Quinn would readily use.
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Notes
Alice Munro, Too Much Happiness (Toronto: McClelland and Stewart, 2009). References to the collection are included in the text.
Joyce Carol Oates, “Who Do You Think You Are?” New York Review of Books, vol. 19 (December 3, 2009): 42–44.
Peter Kemp, “A Journey into Her Heart of Darkness,” Sunday Times Review (August 16, 2009), 40.
Gerald Prince, A Dictionary of Narratology, rev. ed. (Lincoln: University of Nebraska Press, 2003), 25.
Randolph Quirk, Sidney Greenbaum, Geoffrey Leech, and Jan Svartnik, A Comprehensive Grammar of the English Language (London: Longman, 1985), 1629.
Brian Richardson, Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction (Columbus: Ohio State University Press, 2006), 36.
Pleuke Boyce and Ron Smith, “A National Treasure: Interview with Alice Munro,” Meanjin 54 (1995): 228.
Coral Ann Howells, “Alice Munro,” in Encyclopedia of Literature in Canada, ed. W. H. New (Toronto: University of Toronto Press, 2002), 769–72.
Catherine Sheldrick Ross, “‘Too Many Things’: Reading Alice Munro’s ‘Love of a Good Woman,’” University of Toronto Quarterly 71 (Summer 2002): 786.
Alice Munro, “Introduction,” Selected Stories (New York: Vintage International, 1997), xx.
Judith Maclean Miller, “Deconstructing Silence: The Mystery of Alice Munro,” Antigonish Review 129 (Spring 2002): 51.
Michael Ravitch, “Fiction in Review,” Yale Review 90 (2002): 170.
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© 2011 Isla Duncan
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Duncan, I. (2011). “Marooned on Islands of Their Own Choosing”. In: Alice Munro’s Narrative Art. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137000682_9
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DOI: https://doi.org/10.1057/9781137000682_9
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