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The Ancestral Voices Speak

Mak Dizdar’s Stone Sleeper

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Abstract

The previous chapter explored the place of the stedak in the Bosnian historical and cultural imagination. The meticulous process of cataloguing the tombstones and classifying them according to different criteria of monumental art and architecture speaks to the politics of memory in both imperial and postimperial times. Disrupting the stećak’s existence as a rural ruin invested with a rieh legendary repertory, the archival process set the stage for an appreciation of the steŰak’s distinetiveness in European cultural history. Situated at a crucial juneture in Bosnia’s colonial experience, it paved the way for the steŰak’s treatment as a historical and cultural treasure, but it feil short of imbuing it with symbolic importance in the Bosnian national imagination.

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Notes

  1. Jahan Ramazani, Poetry of Mourning: The Modern Elegy from Hardy to Heaney (Chicago: University of Chicago Press, 1994), 3.

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  5. Jonathan Culler, Structuralist Poetics: Structuralism, Linguistics and the Study of Literature (London: Routledge and Kegan Paul, 1975), 135–155.

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  6. Elizabeth Heisinger, Rural Scenes andNational Representation (Princeton: Princeton University Press, 1997), 17.

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  7. Karen Mills. Courts, Poetryas Epi taph: Represen tation and Poetic Language (Baton Rouge: Louisiana State University Press, 1990), 18.

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  8. Martin Buber, I and Thou, trans. R. G. Smith (Edinburgh: T. & T. Clark, 1937).

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  9. Mak Dizdar, Antohgija starih bosankih tekstova (Sarajevo: Alef, 1997), 7.

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  10. Alojz Benac and Oto Bihalji-Merin, Bogomil Sculpture (Beograd: Ju-goslavija, 1962; New York: Harcourt, Brace & World Press, 1963), xxiv.

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  11. Erwin Panofsky, Tomb Sculpture (NewYork: Harry N. Abrams, Inc., 1964), 35–36.

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© 2002 Amila Buturović

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Buturović, A. (2002). The Ancestral Voices Speak. In: Stone Speaker. Palgrave Macmillan, New York. https://doi.org/10.1057/9780312299156_4

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