Advertisement

Theatre

  • Rob Allen
  • Nina Krebs

Abstract

Theatre is dramatic. It is a ‘live’ form that ‘enlivens’ by bringing life to the community and the individual. Theatre began as religious ritual, with performers making their art a spiritual practice. Theatre is spiritu­ally based as it taps our collective unconscious and nourishes our personal consciousness. It gives us energy. It is relevant in the present but also timeless .2 This living quality sets theatre apart from other art forms, particularly film that records ‘forever’ but does not require direct audience involvement.

Keywords

Spiritual Practice Personal Consciousness Living Quality Eternal Return Social Conditioning 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Notes

  1. 1.
    Sonia Moore(1967) The Stanislavski system (New York: Pocket Books).Google Scholar
  2. 2.
    Steinman, Louise (1995) The artist as storyteller in contemporary performance (Berkeley: North Atlantic Books) Preface.Google Scholar
  3. 3.
    Barranger, M.S. (2002) Theatre: A way of seeing (New York: Wadsworth) pp. 3–7.Google Scholar
  4. 8.
    Schechter, J. (1985) Durov’s pig: Clowns, politics and theatre (New York: Theatre Communications Group).Google Scholar

Copyright information

© Rob Allen and Nina Krebs 2007

Authors and Affiliations

  • Rob Allen
  • Nina Krebs

There are no affiliations available

Personalised recommendations