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Part of the book series: Early Modern Literature in History ((EMLH))

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Abstract

The travails and conflicts of the English Civil War and Commonwealth were typically conceived in Judaeo-Christian terms: Israel neglects its covenant and suffers the captivity of Egypt or Babylon; God in his mercy delivers it through the prowess of a Joshua or a Gideon. Roman precedents also contributed: King Charles was identified with Tarquin or Caesar, Parliament and its generals with the Bruti or Cato. Fairfax’s New Model army and Cromwell’s navy were admired for reviving a republican discipline.1 The apocalyptic excitement, the conviction that God was active in political affairs, imparted the sense of national uniqueness and imperial destiny that Romans celebrated in the triumph. Both sides appropriated the conventions of triumph, to celebrate victories and for other purposes as well. In difficult times, consolatory triumphs promised eventual vindication. In defeat, the noble deaths of the king or his soldiers created the paradoxical triumphs of martyrdom. In the Civil War, royalist uses of triumph generally reconstruct Roman convention more accurately, while Parliamentary adaptations are more varied and resourceful. In the 1650s, this balance is redressed, or even reversed. Some Commonwealth writers produce triumph poems of baroque grandeur and endow Cromwell with the traits of an Augustus, though others contest this ostentation. Royalist writers prophesy vindicatory triumphs with a feverishness that recalls Puritan apocalyptics.

‘Cypresse, not Bayes’

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Notes

  1. Bulstrode Whitelocke, Memorials of the English Affairs (Oxford: Clarendon Press, 1853), vol. I, p. 355;

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© 2001 Anthony Miller

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Miller, A. (2001). Civil War and Commonwealth. In: Roman Triumphs and Early Modern English Culture. Early Modern Literature in History. Palgrave Macmillan, London. https://doi.org/10.1057/9780230628557_8

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