Abstract
Central to the debates surrounding the construction of black British expressive cultures are questions regarding nationality, canonicity and tradition. How ‘black’ modifies British (and vice versa) adds a layer of complexity: how to preserve the specificity of black history in Britain and yet also acknowledge its distinctive connections with black cultures within and outside the national polity. In his attempt to formulate a language of criticism that does justice to aesthetic and political contours of black British writing, John McLeod’s essay in this collection, ‘Fantasy Relationships’ emphasizes their transnational interconnections. McLeod writes that to ‘approach the work of writers such as [Linton Kwesi] Johnson, [Caryl] Phillips, [Jackie] Kay and [Sam] Selvon in terms of a national paradigm ultimately fails … to render the experience of black peoples in Britain’.1 Imagination cannot be bound by the borders of nation, and black writing from across the Atlantic has enabled black writing to occur ‘in’ and ‘about’ Britain. Black writing in Britain also dares to expose, for all Britons, the criss-crossings, the comings and goings, the transnational influences which arguably inform the construction of virtually all texts and canons which bear the signature of ‘British’. Moreover, recent criticism has increasingly engaged with this emphasis upon a transnational, migratory and diasporic consciousness across cultures.2
I am very grateful to the archivists at the Institute of Race Relations library in London who were extremely helpful in helping locate issues of the West Indian Gazette. The research for this chapter was undertaken with the help of a grant from the Leverhulme Foundation and the British Academy.
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Notes
See for example, Paul Gilroy, The Black Atlantic (London: Verso, 1993)
C.L. Innes, A History of Black and Asian Writing in Britain: 1700–2000 (Cambridge: Cambridge University Press, 2002)
Sukhdev Sandhu, London Calling: How Black and Asian Writers Imagined a City (London: HarperCollins, 2003)
and Mark Stein, Black British Literature: Novels of Transformation (Columbus: Ohio State University Press, 2004)
Mike Phillips, ‘Black British Writing — So what is it?’ in London Crossings (London and New York: Continuum, 2001), p. 146.
The relationships between readers, reading and texts are complex as critical debates in book history have highlighted (for an indication of these debates see David Finkelstein and Alistair McCleery, The Book History Reader (London and NewYork: Routledge, 2002).
See Gayatri Spivak, The Post-Colonial Critic (New York and London: Routledge, 1990), p. 104.
James Berry (ed.), Bluefoot Traveller: An Anthology of West Indian Poets in Britain (London: Limestone, 1976)
and News For Babylon: The Chatto Book of Westindian-British Poetry (London: Chatto & Windus, 1984)
Louis Althusser, Essays on Ideology (London: Verso, 1984), p. 48
See Marika Sherwood, Claudia Jones: A life in exile (London: Lawrence & Wishart, 1999), part memoir and part biography
and Buzz Johnson, ‘I think of my mother’: notes on the life and times of Claudia Jones (London: Karia Press, 1985), a short biography of Jones’s life which includes some of her writing.
For an excellent introduction to the West Indian Gazette and its achievements see Bill Schwarz, ‘“Claudia Jones and the West Indian Gazette”: Reflections of the Emergence of Post-colonial Britain’, Twentieth Century British History, 14(3), 2003, pp. 264–85.
For Donald Hinds’ memoirs of his experiences as a reporter on the West Indian Gazette see Donald Hinds, Journey to an Illusion: The West Indian in Britain (London: Bogle-L’Ouverture, 2001 (1966)).
Ionie Benjamin, The Black Press in Britain (Stoke on Trent: Trentham Books, 1995), pp. 37–9.
Also see Donald Hinds, op. cit., pp. 125–6
and Buzz Johnson, op. cit., pp. 75–6
See Donald Hinds, op. cit., p. 149
and Ruth Glass, Newcomers: West Indians in London (London: Centre for Urban Studies and George Allen & Unwin, 1960), p. 209.
Quoted in Buzz Johnson, op. cit., p. 152.
Donald Hinds, op. cit., p. 134.
Quoted in Ruth Glass, op. cit., p. 209.
Hinds, op. cit., p. 149.
Schwarz, op. cit., p. 270.
See Benedict Anderson, Imagined Communities (London: Verso, 1983)
James Procter, Writing Black Britain 1948–1998 (Manchester: Manchester University Press, 2000), p. 15.
Hinds, op. cit., p. 150–1.
Claudia Jones, ‘NEITHER A PALLIALTIVE, NOR THE ONLY ANSWER … BUT — ANTI-RACIAL LEGISLATION: A KEY NEED’, West Indian Gazette, December 1959, p. 4.
Claudia Jones, ‘FREEDOM — OUR CONCERN’, West Indian Gazette, September, 1960, p. 4.
Hinds, op. cit., p. 152.
James Berry, ‘Signpost of the Bluefoot Man’, in E.A. Markham, Hinterland: Caribbean Poetry from the West Indies and Britain (Newcastle: Bloodaxe Books. 1989), p. 176.
See James Berry, ‘Ancestors I Carry’, in Fedinand Dennis and Naseem Khan (eds), Voices of the Crossing (London: Serpant’s Tail, 2000), p. 159.
Andrew Salkey, Breaklight (London: Hamish Hamilton, 1971)
George Lamming, Cannon Shot and Glass Beads: Modern Black Writing (London: Picador, 1974)
O.R. Dathorne’s Caribbean Verse (London: Heinemann, 1967)
John Figueroa’s Caribbean Voices (London: Evans Brothers, 1966 and 1970)
Prahbu Guptara, Black British Literature: An Annotated Bibliography (Coventry, UK: Centre for Caribbean Studies, University of Warwick, 1986), p. 44.
Lamming, op. cit., p. 11.
James Berry, Bluefoot Traveller, revised edition (London: Harrap, 1981), p. 6.
See Laura Chrisman, ‘Journeying to Death: A Critique of Paul Gilroy’s The Black Atlantic’, Crossings, 1(2), 1997, pp. 82–96.
For an incisive critique of Khan’s report, see Kwesi Owusu, The Struggle for the Black Arts in Britain: What can we consider better than freedom (London: Comedia, 1986), chapter 3.
Prahbu Guptara, ‘Editorial’, Wasafiri, 3, Autumn 1985, p. 3.
See Susheila Nasta’s memoir and analysis of her editorship of Wasafiri in ‘Wasafiri: History, Politics and Post-Colonial Literature’, in Hena Maes-Jelinek, Gordon Collier and Geoffrey V. Davis (eds), A Talent(ed) Digger: Creations, Cameos, and Essays in honour of Anna Rutherford, Cross/Cultures: Reading in the Post/Colonial Literatures in English, 20 (Amsterdam: Rodopi, 1996), p. 128.
Prahbu Guptara, ‘Editorial’, Wasafiri, 3, Autumn 1985, pp. 3–4.
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Low, G. (2006). ‘Shaping Connections’: From West Indian to Black British. In: Low, G., Wynne-Davies, M. (eds) A Black British Canon?. Palgrave Macmillan, London. https://doi.org/10.1057/9780230625693_10
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