Abstract
General health occupied a sizable place in the Boston School Committee testimonials for vocal instruction in the 1830s and 1840s. That period is marked by the transition from older phrenologic and homeopathic practices in medicine to the laboratory science practiced first in Germany. The role that medicine at this time played in shaping the general kindergarten through twelfth grade music curriculum has been underestimated and largely overlooked. Medical concepts were prominent in Horace Mann’s support for vocal instruction: “Good blood [enriched by the oxygenating effects of singing] … more active and vigorous play to all the organs of absorption, assimilation and excretion” (Mann, 1844, 49). Mann’s ideas were considered unscientific by the early twentieth century, when historical accounts of music education began to appear, but they have considerable significance for the reception of and support for public music instruction.
Natural magic ceased to belong to the [West], but it persisted for a long time in the interaction of beliefs … That [these beliefs] do not possess the formal criteria of a scientific form of knowledge does not prevent them from belonging, nevertheless, to the positive domain of knowledge.
—Michel Foucault, The Order of Things
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Notes
See John Greenleaf Whittier, “Snow-Bound,” in The American Tradition in Literature (New York: W. W. Norton, 1961), 724–41.
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© 2009 Ruth Gustafson
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Gustafson, R.I. (2009). The Child as Charmed Victim. In: Race and Curriculum. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230622449_2
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DOI: https://doi.org/10.1057/9780230622449_2
Publisher Name: Palgrave Macmillan, New York
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