Abstract
As a professor specializing in minority American literatures, I often teach ethnic and gender studies courses with titles such as “Race and Ethnicity in the Lives of United States Women,” “Nineteenth-Century Literature by African-American Women,” and “Introduction to Native American Women’s Literature,” in a university where around 90% of students self-identify as “White.”1 Because this lack of diversity can create an ethnocentric climate that, in turn, discourages minority-culture students from attending and graduating, the university has instituted what faculty and students alike generally refer to as the “Ethnic Studies Requirement” (ESR). This requirement was created in 1987, in response to Black Students’ protests of certain White fraternity gatherings at which members displayed caricatures of Black “Fiji Islanders.”2 By instituting the ESR, administrators seek to contribute to a more hospitable university environment for minority-culture students, to help increase cultural diversity on campus, and to impart to all students skills that will be helpful in an increasingly diverse and international job market and society. The requirement mandates that undergraduates take at least one course devoted to the study of one or more ethnic groups in the United States, or organized to view a particular subject (literature, in my case), through the lens of United States ethnic relations in general. In this essay, I would like to share and interpret my experiences of teaching this university-wide ESR to a predominantly white student body, to convey some of what I have learned about what the requirement means to students, faculty, administration, and also to the larger community to which it is ultimately directed.
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Notes
For an example of an enslaved woman’s perspective on her owner’s demands for sex, see Harriet Jacobs, Incidents in the Life of a Slave Girl (Cambridge, MA: Harvard University Press, 1987).
See Donna Haraway, “A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century,” in Contemporary Literary Criticism: Literary and Cultural Studies, ed. Robert Davis and Ronald Schleifer (New York: Longman, 1998), 696–727
Walter Benn Michaels, Our America: Nativism, Modernism, and Pluralism (Post-Contemporary Interventions) (Durham, NC: Duke University Press, 1995).
Judith Butler, “Imitation and Gender Insubordination,” in Inside/Out, ed. Diana Fuss (New York: Routledge, 1991), 13–31
Carl Gutiǩrrez-Jones, “Color Blindness and Acting Out,” in The Futures of American Studies, ed. Donald E. Pease and Robyn Wiegman (Durham, NC: Duke University Press, 2002), 248–265
Allison Dorsey, “‘white girls’ and’ strong Black Women’: Reflections of a Decade of Teaching Black History at Predominantly White Institutions (PWIs),” in Twentyfirst-Century Feminist Classrooms, ed. Amie Macdonald and Susan Sánchez-Casal (New York: Palgrave Macmillan, 2002), 203–231
Frances A. Maher and Mary Kay Thompson Tetreault, The Feminist Classroom: An Inside Look at How Professors and Students Are Transforming Higher Education for a Diverse Society (New York: Basic Books, 1994), 220–221.
bell hooks, Teaching to Transgress: Education as the Practice of Freedom (New York: Routledge, 1994), 53.
Toni Morrison, Beloved (New York: Knopf, 1987).
Kate Chopin, The Awakening (New York: W W Norton, 1976).
On the importance of cultural clubs and program houses on university campuses, see Amie A. Macdonald, “Racial Authenticity and White Separatism: The Future of Racial Program Housing on College Campuses,” in Reclaiming Identity: Realist Theory and the Predicament of Postmodernism, ed. Paula M. L. Moya and Michael R. Hames-García (Berkeley, CA: University of California Press, 2000), 205–225.
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© 2009 Susan Sánchez-Casal and Amie A. Macdonald
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Yandell, K. (2009). Ethnic Studies Requirements and the Predominantly White Classroom. In: Sánchez-Casal, S., Macdonald, A.A. (eds) Identity in Education. The Future of Minority Studies. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230621565_7
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DOI: https://doi.org/10.1057/9780230621565_7
Publisher Name: Palgrave Macmillan, New York
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