Abstract
Jacques Derrida is dead. To many in the world, this man was the greatest abuser of common sense in history. The term “deconstruction” has become synonymous with a declaration of war on what is common in the language of each one of us. In reading and rewriting the words of scholars, philosophers, journalists, linguists, novelists, poets, and every kind of verbal magician, Derrida turned them on their heads—destroyed them in the view of some, reconstructed them in the view of others. He was a trickster constantly playing jokes on his readers, yet the key to the joke was that you were never quite sure that it was a joke, and if you were convinced, you were never sure if the joke was on you. Maybe the joke was on him.
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Notes
Jacques Derrida, Monolingualism of the Other; Or, the Prosthesis of Origin, trans. Patrick Mensah (Stanford: Stanford University Press, 1998), 1.
Geoffrey Bennington and Jacques Derrida, Jacques Derrida, trans. Geoffrey Bennington (Chicago: University of Chicago Press, 1993), 326–27.
Jacques Derrida, “Taking a Stand for Algeria,” trans. Boris Belay, College Literature 30.1 (2003): 115–23.
Mustapha Marrouchi, Signifying with a Vengeance: Theories, Literatures, Storytellers (Albany: State University of New York Press, 2002), 85–132.
Jacques Derrida, Limited Inc, trans. Samuel Weber (Evanston: University of Chicago Press, 1988), 146.
Jürgen Habermas, The Philosophical Discourse of Modernity: Twelve Lectures, trans. Frederick Lawrence (Cambridge: MIT, 1987), 185–210.
Jacques Derrida, “The Law of Genre/La loi du genre,” trans. Avita Ronnell, Glyph 7 (1980): 202–32.
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© 2009 Patrick McGee
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McGee, P. (2009). Theory Postmortem. In: Theory and the Common from Marx to Badiou. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230620605_1
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DOI: https://doi.org/10.1057/9780230620605_1
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