Abstract
The remembering narrator may be credible or unreliable. He may have the only perspective on the past, or only one among competing perspectives. His memorial project may seem fully accomplished, a work in progress, obstructed and repressed, or even entirely frustrated. His memory may be bound determinately to character or seem more free-floating, like a personality trait. He may imply one or another psychological models for how the mind works. She may appear to remember differently from “him.” But despite these and other differences, such narrative paradigms predominately convey the impression that memory is private and a matter of self-possession.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Copyright information
© 2008 Attilio Favorini
About this chapter
Cite this chapter
Favorini, A. (2008). Drama of Mnemic Signs. In: Memory in Play. Palgrave Studies in Theatre and Performance History. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230617162_6
Download citation
DOI: https://doi.org/10.1057/9780230617162_6
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-349-37241-6
Online ISBN: 978-0-230-61716-2
eBook Packages: Palgrave Literature & Performing Arts CollectionLiterature, Cultural and Media Studies (R0)