Skip to main content

Abstract

The book you are holding is not only an innovative interdisciplinary study of performance magic, but also an experiment in collaborative teaching and learning. This experiment took place at Muhlenberg College, the small liberal arts college that is the institutional home of the editors as well as many other contributors to this volume. In its encouragement of interdisciplinary scholarship and creative pedagogies, Muhlenberg has given us the space not only to produce new knowledge but also to consider how and in what ways knowledge is produced. This book, for all its wide-ranging perspectives, historical breadth, and cultural diversity, was produced locally, by an interdisciplinary, crossdepartmental, college-wide collaborative effort. By the end, this project had drawn together scholars from many institutions and magicians from all over the world; to tell the story of this book is therefore to describe a series of intellectual encounters and transformations as unexpected as those in any magic trick.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 84.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 109.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 109.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Works Cited

  • Beckman, Karen. Vanishing Women: Magic, Film, and Feminism. Durham: Duke University Press, 2003.

    Book  Google Scholar 

  • Burger, Eugene and Robert E. Neale. Magic and Meaning. Seattle: Hermetic Press, 1995.

    Google Scholar 

  • During, Simon. Modern Enchantments: The Cultural Power of Secular Magic. Cambridge, MA: Harvard University Press, 2002.

    Google Scholar 

  • Mangan, Michael. Performing Dark Arts: A Cultural History of Conjuring. Bristol: Intellect Books, 2007.

    Google Scholar 

  • Nadis, Fred. Wonder Shows: Performing Science, Magic, and Religion in America. Piscataway, N J: Rutgers University Press, 2005.

    Google Scholar 

  • Neale, Robert E. with David Parr. The Magic Mirror. Seattle: Hermetic Press, 2002.

    Google Scholar 

  • Steinmeyer, Jim. Hiding the Elephant: How Magicians Invented the Impossible and Learned to Disappear. New York: Carroll & Graf, 2003.

    Google Scholar 

Download references

Authors

Editor information

Francesca Coppa Lawrence Hass James Peck

Copyright information

© 2008 Francesca Coppa, Lawrence Hass, and James Peck

About this chapter

Cite this chapter

Coppa, F., Hass, L., Peck, J. (2008). Introduction. In: Coppa, F., Hass, L., Peck, J. (eds) Performing Magic on the Western Stage. Palgrave Studies in Theatre and Performance History. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230617124_1

Download citation

Publish with us

Policies and ethics