Abstract
The English translation of W. G. Sebald’s slim volume of reflections on air war and literature, On the Natural History of Destruction, took its title from Solly Zuckerman’s 1945 project to report on the destruction of Cologne. Overwhelmed by the experience, he never wrote the report realizing that he did not have the language to describe the utter desolation of that “ravaged” city. Over the years, images of Cologne’s ruins retreated and he only remembered the “blackened cathedral rising from the stony desert around it,” and a “severed finger” he had found on a heap of rubble.1
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Notes
Solly Zuckerman, From Apes to Warlords (London: Hamilton, 1978), pp.352, 322.
W. G. Sebald, On the Natural History of Destruction (New York: Random House, 2003), p.31.
Malte Ludin, Wolfgang Staudte (Rowohlt: Reinbek bei Hamburg, 1996), p.123, n.56.
See the large collection of documents in Jürgen Steinle. Nationales Selbstverständnis nach dem Nationalsozialismus. Die Kriegsschuld-Debatte in West-Deutschland (Bochum: Universitätsverlag Dr. N. Brockmeyer, 1995).
Rainer Werner Fassbinder, The Anarchy of the Imagination (Baltimore: Johns Hopkins University Press, 1992), p.86. Fassbinder, a great admirer of this film, refers to Sirk here as a German director (pp.29–30).
Quoted Sabine Pott, Film als Geschichtsschreibung bei Rainer Werner Fassbinder (Frankfurt am Main: Peter Lang, 2002), p.69.
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© 2008 Wilfried Wilms and William Rasch
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Barnouw, D. (2008). A Time for Ruins. In: Wilms, W., Rasch, W. (eds) German Postwar Films. Studies in European Culture and History. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230616974_4
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DOI: https://doi.org/10.1057/9780230616974_4
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-349-37504-2
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