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Reliquia: Writing Relics in Anglo-Norman Durham

  • Heather Blurton
Chapter
Part of the The New Middle Ages book series (TNMA)

Abstract

This chapter revisits the scholarly consensus that the Old English poem Durham is both formally and politically nostalgic by reading it as a political gambit in the power struggles between the monks of Durham Cathedral against the neighboring castle and its powerful bishops in post-Conquest Durham.

Keywords

Twelfth Century Eleventh Century Medieval Literature Manuscript Context Scholarly Consensus 
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Notes

  1. 12.
    Calvin Kendall, “Now Let Us Praise a Famous City: Wordplay in the OE Durham and the Cult of St. Cuthbert,” Journal of English and Germanic Philology 87 (1988), 507–21, 511.Google Scholar
  2. 16.
    Seth Lerer, Literacy and Power in Anglo-Saxon Literature ( Lincoln: University of Nebraska Press, 1991 ), 202.Google Scholar
  3. 25.
    R.W. Southern, “Aspects of the European Tradition of Historical Writing: 4. The Sense of the Past,” Transactions of the Royal Historical Society, 5th Series, 23 (1973): 249 [243–63].CrossRefGoogle Scholar
  4. 26.
    H.S. Offler, “Bishop William of Saint-Calais, First Norman Bishop of Durham,” TAASDN 10 (1950): 259 [258–79].Google Scholar

Copyright information

© Jeffrey Jerome Cohen 2008

Authors and Affiliations

  • Heather Blurton

There are no affiliations available

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