Skip to main content

Part of the book series: The New Middle Ages ((TNMA))

  • 34 Accesses

Abstract

Although Frances Yates, Mary Carruthers, and others have written eloquently on the significance of memory and mnemotechnic in medieval culture, themselves exemplars, in the range of their work, of the field they address, it nonetheless behoves us to begin with a short survey of some classical and medieval texts that strike the key notes of our study of the drama. Cicero and Quintilian in the Roman period, as well as the unknown author of the Rhetoric ad Herennium, whose treatise circulated widely in the Middle Ages, lay out the key concepts for our study, which can be traced into the medieval period up to the time of the drama in the work of, among others, the classicizing friar Thomas Bradwardine.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

eBook
USD 16.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book
USD 54.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Notes

  1. L.D. Reynolds and N.G. Wilson, Scribes and Scholars: A Guide to the Transmission of Greek and Latin Literature, 3rd edn. (Oxford: Clarendon Press, 1991), p. 98.

    Google Scholar 

Download references

Authors

Copyright information

© 2008 Theodore K. Lerud

About this chapter

Cite this chapter

Lerud, T.K. (2008). Medieval Culture and the Memory Arts. In: Memory, Images, and the English Corpus Christi Drama. The New Middle Ages. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230613799_2

Download citation

Publish with us

Policies and ethics