Abstract
One way of looking at the musical in the 1980s and 90s is that there was a sense of energy in the London shows that can be likened to Broadways Golden Age. Richard Maltby Jr. points out that
great American musicals come in bursts. In the late 1940s when I was growing up, there were all these articles in the New York Times about the integrated musicals with Frank Loesser writing “you see, the songs will tell the story.” And it seemed there was something like that going on in England—that mere was a discovery of a different kind of scale of singing and a different kind of show, the impact on an audience.
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Notes
Michael Billington, Les Miserables, October 10, 1985.
Trevor Nunn, “A Popular Front Steals the Show,” The Guardian, October 4, 1986.
Frank Rich, “‘Misérables,’ Musical Version Opens on Broadway,” New York Times, March 13, 1987.
Robert Cushman, “The Naked and the Bed,” The Observer, October 3, 1976.
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© 2008 Miranda Lundskaer-Nielsen
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Lundskaer-Nielsen, M. (2008). Beyond the Logos: West End Musical Drama. In: Directors and the New Musical Drama. Palgrave Studies in Theatre and Performance History. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230611245_5
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DOI: https://doi.org/10.1057/9780230611245_5
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