Abstract
In November 1989, the Berlin Wall was demolished by crowds cheering and drinking toasts to it on both sides; there in ruins was the symbol of the Cold War bipolarism that had molded Europe, as well as the entire world, after World War II. In August 1991, an unexpected and aborted coup in Moscow finally decreed the breakup of the Soviet Union and the failure of the Communist experiment, which had survived as one of the two great totalitarianisms of the twentieth century. These events were followed by a series of other upheavals that paved the way for the reappearance of old nationalisms, as well as for the emergence of new nation-states in Central and Eastern Europe, and that also provoked the resurgence of destabilizing separatist movements in Western Europe. The post-Cold War era thus began by plunging Europe into a state of chaos and, for many, outright decline. A broader but less visible disturbance accounts for a Europe “on the verge of a nervous breakdown:” the phenomenon of globalization, which further eroded borders through the explosion of multinational economic corporations, borderless telecommunication systems, an unparalleled international division of labor, and global mobility. These factors all occurred within a short time frame, with the destruction of the Berlin Wall representing an encompassing historical marker and signifier par excellence.
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Notes
In an anti-essentialistic move, Benedict Anderson fundamentally rearticulates the idea of the nation as an “imagined political community” that constitutes itself around acts of imagining shared by a limited and sovereign community. The concept can be criticized in terms of the supposed uniformity attributed to such a community, but it retains all its value by pointing to the subjective construction of the values, myths, and traditions that shape and bind a nation together. See Benedict Anderson, Imagined Communities: Reflections on the Origin and Spread of Nationalism (London: Verso, 1983). A revised edition of this seminal book appeared in 2006, which I did not have the opportunity to examine.
The studies by Thomas Elsaesser, New German Cinema: A History (New York: Rutgers University Press, 1989)
and Marsha Kinder, Blood Cinema: The Reconstruction of National Identity in Spain (Berkeley: University of California Press, 1993), best illustrate a national and international interface in reconceptualizing the notion of national cinema.
See Jean-Francois Lyotard’s The Postmodern Condition: A Report on Knowledge (Minneapolis: University of Minnesota Press, 1984), originally published in French in 1979.
See Edward Said, “Opponents, Audiences, Constituencies and Community,” in Hal Foster, ed. The Anti -Aesthetic: The Postmodern Culture ( Seattle: Bay Press, 1983 ), 148.
Ella Shohat and Robert Stam, Unthinking Eurocentrism: Multiculturalism and the Media (London: Routledge, 1994). Ironically, the multicultural and polycentric model indicated by Shohat and Stam to undo Eurocentrism can be effectively employed to assert Europeanism and therefore maintain a Western legacy.
See David Harvey, The Condition of Postmodernity, ( Oxford: Blackwell, 1990 ).
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© 2007 Luisa Rivi
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Rivi, L. (2007). Introduction: For an Imperfect Europe. In: European Cinema after 1989. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230609280_1
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DOI: https://doi.org/10.1057/9780230609280_1
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