Abstract
At the close of the fifteenth century, just as Christopher Columbus was initiating European colonization into a new world, the Muslim presence remained a significant factor in the old. Indeed, we know that a new wave of Islamic expansion was then rising in Anatolia, the southwestern and anciently civilized section of Turkey where, from 1300 on, the beginnings of an Ottoman empire had gradually been coming into play. Progressing from the status of a local Anatolian grouping to a state comprising a number of Anatolian cities, the Ottoman surge had grown to a cosmopolitan power.1 Significantly, its polity did not embrace that three hundred-year-old pax Islamica that had governed the Mediterranean since the twelfth century. Instead, the new Ottoman entity has been described by historians as dynamic and aggressive, penetrated from its very origins with a sense of what warlike jihad that had characterized the Islamic outreach of the eight century, seven hundred years previously.2 The purpose of this essay is to deepen our understanding of how the development of Ottoman influence in the Mediterranean helped to configure the cultural history of early modern England as manifested in several “alien” plays (my term) of the 1590s. Because there is no simple cause / effect relationship that yokes English affairs with those of the Mediterranean, I wish to approach this issue by isolating several events that may provide a suitable framework for analysis.
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Notes
See M.F. Koprulu, The Origins of the Ottoman Empire, trans. Gary Leiser (Stony Brook, New York: SUNY Press, 1992), chapters 1 and 2;
and Cemal Kafadar, Between Two Worlds: The Construction of the Ottoman State (Berkeley: University of California Press, 1999), esp. chapter 1;
and for a more recent view by Hall Inalcik, An Economic and Social History of the Ottoman Empire, 1300–1600 (Cambridge: The Cambridge University Press, 1997).
See Bernard Lewis, The Muslim Discovery of Europe (New York and London: Norton, 1982), chapter 1, esp. pp. 22–38.
Beg Tursun, The History of Mehmet the Conqueror, ed. and trans. H. Inalcik and R. Murphy (Minneapolis and Chicago: University of Minnesota Press, 1978), fols. 156a–156b, quoted in Lewis, p. 31.
See Fernand Braudel, The Mediterranean and the Mediterranean World in the Age of Philip II, 2 vols., trans. Sian Reynolds (Berkeley: University of California Press, 1988), vol. 1, p. 467.
See Stanford J. Chaw, History of the Ottoman Empire, vol. 6 (Cambridge: The Cambridge University Press, 1976), pp. 309–14 for a detailed view of the scholarship describing and documenting Suleyman’s Mediterranean activities.
All quotations from Shakespeare’s works are from The Riverside Shakespeare, ed. G. Blackmore Evans (Boston: Houghton Mifflin, 1974).
For Cyprus, see The New Cambridge Modern History, vol. III, ed. R.B. Wernham (Cambridge: The Cambridge University Press, 1968), pp. 352–4.
For recent observation on the role of Spain vis-à-vis the Ottomans, see John Lynch, Spain: 1516–1598 (Oxford: Blackwell, 1991), pp. 321–9.
See Andrew C. Hess, “The Battle of Lepanto and its Place in Mediterranean History,” Past and Present 57 (1972 ): 53–73; and The Forgotten Frontier: A History of the Sixteenth-Century Ibero-African Frontier (Chicago: The University of Chicago Press, 1978).
See J. Guilmartin, Gunpowder and Galleys (Cambridge: The Cambridge University Press, 1974), chapter 1.
For the foundations of this policy, see Rhoads Murphey, “Suleyman’s Eastern Policy,” in Suleyman the Second and His Time, ed. Halil Inalcik and Camel Kafadar (Istanbul: Isis Press, 1993), pp. 229–48.
See Jonathan D. Spence, The Memory Palace of Matteo Ricci (New York: Viking Penguin, 1984), pp. 36–8; 277nn. 29–30.
Christopher Marlowe, The Jew of Malta, ed. James R. Siemon (London: A & C Black and New York: WW Norton, 1994).
See Henslowe’s Diary, ed. R.A. Foakes, 2nd ed. (Cambridge: The Cambridge University Press, 2002), pp. 19–22.
In this context it may be significant that in the surviving “plat” of Tamar Cham, “Nagars” are distinguished from “olive-collored moores.” For the plat, see W.W. Greg, Dramatic Documents from Elizabethan Playhouses (Oxford: The Oxford University Press, 1931), vol. 1, pp. 27–8.
For a classic study of Marlowe’s use and subversion of stereotypes of the alien, see Emily C. Bartels, Spectacles of Strangeness: Imperialism, Alienation, and Marlowe (Philadelphia: University of Pennsylvania Press, 1993).
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© 2007 Goran V. Stanivukovic
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Barroll, L. (2007). Mythologizing the Ottoman: The Jew of Malta and The Battle of Alcazar . In: Stanivukovic, G.V. (eds) Remapping the Mediterranean World in Early Modern English Writings. Early Modern Cultural Studies. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230601840_7
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DOI: https://doi.org/10.1057/9780230601840_7
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