Music in Youth Culture: A Lacanian Approach is a companion book to Youth Fantasies: The Perverse Landscape of the Media (2004), which examined postmodern youth from a Lacanian psychoanalytic perspective by concentrating on the medias of video games, Internet, and television. This second volume continues to examine youth fantasies specific to music that emerged in the past decade, from approximately the early nineties to the present contemporary musical scene. It can be read as a portmanteau book (mot-valise) within Youth Fantasies in the sense that it exits as an enfolded space within that first volume—bracketed by it, so to speak. In Youth Fantasies, the thesis concerning the post-Oedipalization of postmodernist society was developed where it was argued that there has been a fundamental “enfoldment” of space between postadolescence and adulthood blurring any distinct boundaries between them as a symptom of the subsequent loss of trust in authority of the Symbolic Order. This thesis is dramatically illustrated by the music industry. Odd spelling throughout this book is used to indicate the newly created space of postmodern youth. Bois, Boyz, and Boys are the differential signifiers for the psychic conflicts over the limited modernist hegemonic image of Man used to demarcate the skater crowd from punk-metal-Goth-rap Boyz, which are yet again differentiated from pop culture’s Boy Groups. Similarly, Girlie/Gurlz, girls and Grrrls indicate similar differentiations among females in various postfeminist contexts.
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