Abstract
This essay examines several fabliaux through sociological and anthropological theories of exchange. When read in this context, fabliaux such as Constant du Hamel (1.2), Les Deus Changeors (5.51), and Le Bourhier d’Abeville (3.18) register a conflict among different modes of economic organization—gift, barter, and money economies. The conflict among these different models in turn helps explain what can often seem to be unmotivated acts in fabliau plots. More importantly, these different models of economic structure and the social logic they imply can explain the mutability of the fabliau as a genre and the mobility of their audience(s).
This chapter traces conflicting modes of economic organization in the fabliau, arguing that the hybridization of money reflects the genre’s interest in mobile corporeal negotiations.
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Notes
Mark Osteon, “Introduction,” in The Question of the Gift: Essays across Disciplines ed. Mark Osteen (London: Routledge, 2002), p. 21 [1–42].
Mark Osteen, “Gift or Commodity?” in The Question of the Gift: Essays across Disciplines ed. Mark Osteon (London: Routledge, 2002), p. 233 [229–47].
Marcel Mauss, The Gift, trans. W.D. Halls ( New York: Norton, 1990 ), p. 36.
Pierre Bourdieu, “The Work of Time,” in The Gift: An Interdisciplinary Perspective ed. Aafke Komter (Amsterdam: Amsterdam University Press, 1996), p. 142 [135–47].
Richard Spencer, “The Role of Money in the Fabliaux,” in Epopée Animale, fable, fabliau ed. Gabriel Bianciotto and Michel Salvat (Paris: Presse Universitaire de France, 1984), p. 573 [563— 74].
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© 2006 Holly A. Crocker
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Sheridan, C. (2006). Conflicting Economies in the Fabliaux. In: Crocker, H.A. (eds) Comic Provocations: Exposing the Corpus of Old French Fabliaux. Studies in Arthurian and Courtly Cultures. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230601178_7
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DOI: https://doi.org/10.1057/9780230601178_7
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-349-53210-0
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