Abstract
These six queens of crime are not chroniclers of Britain when it comes to the negotiation of national identity. The kingdoms of Wales and Scotland rarely merit a murder. Northern and western regions of England occasionally appear as remote areas in which wealthy southern settlers fail to evade nefarious pasts. These six novelists are artists of the dominant region of English political culture in the twentieth century, the southern and eastern lands radiating from London. The detection of crime in the English hearth and home almost obsessively concentrates on what are still known as the ‘home counties’. Therefore this chapter will look at the novels in the context of the construction of a dominant form of Englishness, still deeply imbued with class structures (see Chapter 3), but nevertheless formed in tension with a constant preoccupation of twentieth-century Britain: race and the legacy of colonialism.
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Notes
Agatha Christie, The Murder at the Vicarage (1930).
For Griselda’s cannibal story, see Agatha Christie, The Murder at the Vicarage (1930; London: Fontana, 1961), p. 9.
Margery Allingham, Look to the Lady (1931).
Margery Allingham, Coroner’s Pidgin (1945).
Margery Allingham, Traitor’s Purse (1941; London: Dent, 1985). All later page references will be incorporated into the chapter.
Dorothy L. Sayers, Clouds of Witness (1926).
Dorothy L. Sayers, Murder Must Advertise (1933).
Dorothy L. Sayers, Busman’s Honeymoon (1937; London: New English Library, 1974). All later page references will be incorporated into the chapter.
Dorothy L. Sayers, Unnatural Death (1927).
P.D. James, A Certain Justice (1997).
Ngaio Marsh, Vintage Murder (1937).
Margaret Lewis, Ngaio Marsh: A Life (London: Chatto & Windus, 1991), p. 53.
Ngaio Marsh, Colour Scheme (1943).
Ngaio Marsh, Light Thickens (1982).
Ngaio Marsh, A Clutch of Constables (1968).
Dorothy L. Sayers, Strong Poison (1930).
See Alison Light, Forever England: Femininity, Literature and Conservatism between the Wars (London and New York: Routledge, 1991) on Christie’s very limited use of racist types in marginal positions.
Agatha Christie, Appointment with Death (1938).
Margery Allingham, Police at the Funeral (1931), and see detailed study in Chapter 3.
Ruth Rendell, Simisola (1994; London: Arrow, 1995). All later page references will be incorporated into the chapter.
Margery Allingham, Mystery Mile (1930).
Ngaio Marsh, Death and the Dancing Footman (1941).
Agatha Christie, Dumb Witness (1937).
Margery Allingham, The Crime at Black Dudley (1929).
Margery Allingham, Sweet Danger (1933).
Margery Allingham, More Work for the Undertaker (1948).
Margery Allingham, Flowers for the Judge (1936). Richie, a sympathetic member of the family firm, describes his corporate life as ‘enslavement’. See Chapter 5.
Ngaio Marsh, Final Curtain (1947).
Ruth Rendell, The Speaker of Mandarin (1983).
Dorothy L. Sayers, Gaudy Night (1935); The Nine Tailors (1934).
Agatha Christie, A Caribbean Mystery (1964).
P.D. James, Unnatural Causes (1967).
P.D. James, Devices and Desires (1989; London: Faber & Faber paperback, 1990).
Ruth Rendell, Road Rage (1997).
Agatha Christie, Why Didn’t They Ask Evans? (1934).
Agatha Christie, Sleeping Murder (1976).
Agatha Christie, The Hollow (1946). See Chapter 5.
Ngaio Marsh, Opening Night (1951). See Chapter 5.
Dorothy L. Sayers, Strong Poison (1930).
Ruth Rendell, A Judgement in Stone (1977).
Ruth Rendell, Wolf to the Slaughter (1967).
Agatha Christie, Death on the Nile (1937; London: Fontana, 1960). All later page references will be incorporated into the chapter.
Ngaio Marsh, Photo-Finish (1980; London: Fontana, 1994). All later page references will be incorporated into the chapter.
Ruth Rendell, Simisola (1994; London: Arrow, 1995), p. 164. Wexford quotes from Tennyson’s ‘Morte d’Arthur’;
see Christopher Ricks, ed., The Poems of Tennyson (London: Longman, 1969), p. 596, 1. 259–64.
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© 2001 Susan Rowland
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Rowland, S. (2001). Lands of Hope and Glory? Englishness, Race and Colonialism. In: From Agatha Christie to Ruth Rendell. Crime Files Series. Palgrave Macmillan, London. https://doi.org/10.1057/9780230598782_4
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DOI: https://doi.org/10.1057/9780230598782_4
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