Abstract
Human beings have been fascinated by images of bisexuality and the androgyne since ancient times. The statues of ancient Greece and Rome, and the cults which they represent reveal a particular preoccupation with hermaphroditism, as we shall see later, but cross-dressing, too, has a long and complex history of representation in western culture. The main purpose of this chapter, in the context of a study of the modern imaginary, is precisely to demonstrate the deep-rootedness in the human psyche of these two aspects of what we now call trans-gender, and the cultural representations that give it expression. This survey will also reveal on the one hand an unchanging hostility towards any real and permanent threat to gender, and on the other, an erotically motivated fascination with transgender which expresses itself in our similarly unchanging myths and narratives.
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Notes
For Marjorie Garber the codpiece from Renaissance theatre is a sign of gender indecisiveness, the mark of ‘seeming’, Lacan’s third term interposed between ‘having’ and ‘being’ the phallus — the space, as Garber argues, occupied by the transvestite (see Garber, 1993: 122).
In eighteenth-century England, feminine men and masculine women, known as mollies and tommies respectively, were regarded as third and fourth genders (see Trumbach, 1991: 112–13; also Norton, 1992).
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© 2006 John Phillips
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Phillips, J. (2006). Transgender in the Historical Imagination. In: Transgender on Screen. Palgrave Macmillan, London. https://doi.org/10.1057/9780230596337_2
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DOI: https://doi.org/10.1057/9780230596337_2
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-4039-1243-5
Online ISBN: 978-0-230-59633-7
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