Abstract
The issues involved in the Grass/Fest controversy surfaced once more in the autumn of 2006, when the conservative right launched another attack on the left over the guardianship of the past. This time, Jürgen Busche, a former journalist of the Frankfurter Allgemeine Zeitung, targeted the philosopher Jürgen Habermas in the November issue of the political magazine Cicero in an article entitled “Hat Habermas die Wahrheit verschluckt?” (Did Habermas swallow the Truth?).1 Busche’s piece recycled an anecdote about the philosopher’s alleged past as a member of the Hitler Youth that had circulated in philosophical circles for some time and that, as we will see below, was also a feature of Fest’s autobiography. According to this story, the historian Hans-Ulrich Wehler found a formal reprimand from the young Habermas for not attending the obligatory Hitler Youth training sessions amongst his possessions years after the war. When Wehler handed this form to Habermas decades later, the latter was so shocked that he instantly swallowed it.
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Notes
Jürgen Busche, “Hat Jürgen Habermas die Wahrheit verschluckt?”, Cicero. Magazin für politische Kultur 11 (2006), 72–77.
Gereon Wolters, Vertuschung, Anklage, Rechtfertigung. Impromptus zum Rückblick der deutschen Philosophie auf das Dritte Reich (Bonn: Bonn UP, 2005).
Jürgen Habermas, Eine Art Schadensabwicklung. Kleine politische Schriften VI (Frankfurt a. M.: Suhrkamp, 1987).
Andreas Zielcke, “Verleumgung wider besseres Wissen”, Süddeutsche Zeitung, 27 October 2006.
Christian Geyer, “Ein Fall Habermas? Der verschluckte Zettel”, FAZ, 27 October 2007;
Uwe Justus Wenzel, “Verschluckte Geschichte. Eine Anekdote über Jürgen Habermas wird aufgewärmt”, Neue Zürcher Zeitung, 28 October 2007.
See Bernd Dörris, “Oettingers späte Einsicht”, Süddeutsche Zeitung, 16 April 2007;
Günter Nonnenmacher, “Der Widerruf”, Frankfurter Allgemeine Zeitung, 17 April 2007;
Georg Löwisch und Lukas Wallraf, “Widerruf im dritten Anlauf”, die tageszeitung, 17 April 2007.
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© 2008 Anne Fuchs
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Fuchs, A. (2008). Epilogue: Germany as a Threshold Culture. In: Phantoms of War in Contemporary German Literature, Films and Discourse. New Perspectives in German Studies. Palgrave Macmillan, London. https://doi.org/10.1057/9780230589728_7
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DOI: https://doi.org/10.1057/9780230589728_7
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