Abstract
The rise of an individualistic society also means an increase in the expectations placed on individuals to know what they want, to know their desires and to seek answers in everything from horoscopes, to TV talk shows to new age therapies. Beck points out that
The overtaxed individual ‘seeks, finds and produces countless authorities intervening in social and psychic life, which, as his professional representatives, relieve him of the question: “Who am I and what do I want?” and thus reduce his fear of freedom.’ This creates the market for the answer factories, the psycho-boom, the advice literature—that mixture of the esoteric cult, the primal scream, mysticism, yoga and Freud which is supposed to drown out the tyranny of possibilities but in fact reinforces it with its changing fashion.
The hysterical body is of course typically, from Hippocrates through Freud, a woman’s body, and indeed a victimized woman’s body, on which desire has inscribed an impossible history, a story of desire in an impasse.
(Peter Brooks 1995, xi–xii)
The hysteric’s question, then, is related to how we all position ourselves in, and are positioned by, the forces of our culture.
(Patrick Fuery 1994, 129)
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Notes
See ‘Is Hysteria Real? Brain Images Say Yes’ by Erika Kinetz, New York Times, 26 Sept 2006, pp. D1, 4.
PaulDoes the Woman Exist? From Freud’s Hysteric to Lacan’s Feminine (1999), Paul Verhaeghe.
See Todd McGowan, (2003) The End of dissatisfaction? Jacques Lacan and the Emerging Society of Enjoyment, Albany: SUNY
McGowan (2000) The Feminine “No!” Psychoanalysis and the New Canon, Albany: SUNY.
For a more detailed, albeit ‘short’ history of hysteria, see Micale’s excellent ‘Short history of hysteria’ (1995, 19–29).
For an excellent exploration of Charcôt’s work on hysteria at the Salpêtrière, including many images from Charcôt’s Iconographie photographique de la Salpêtrière, see Georges Didi-Huberman’s (2003) Invention of Hysteria: Charcôt and the Photographic Iconography of the Salpêtrière.
See Gorton, Psychoanalysis and the Portrayal of Desire in Twentieth-Century Fiction: A Feminist Critique (2007).
Freud titled his first case study of Dora ‘Dreams and Hysteria’ in 1901. However, the analysis does not actually appear until 1905, along with the publication of Three Essays on Sexuality. For an analysis of whether his case history is a ‘fragment or a whole’, see Toril Moi’s ‘Representation of Patriarchy: Sexuality and Epistemology’ (1990 [1985]), 184–187.
Because of the short length of the session and the manner in which he interprets the case, Freud concludes that he can ‘present only a fragment of an analysis’ (2001 [1953], vol. 7, 12).
As Freud points out: ‘In the first place the treatment did not last for more than three months; and in the second place the material which elucidated the case was grouped around two dreams’ (2001 [1953], vol. 7, 10).
For a more exhaustive survey of the feminist literature on hysteria, see Micale’s Approaching Hysteria (1995, 66–107).
See Imelda Whelehan’s The Feminist Bestseller (2005) for her commentary on both Fear of Flying and Kinflicks
Rosalind Coward’s Female Desire: Women’s Sexuality Today (1984).
For a reading of Safe as an AIDS allegory, see John David Rhodes ‘Allegory, mise-en-scène, AIDS: Interpreting Safe,’ in The Cinema of Todd Haynes (2007), ed James Morrison, pp. 68–78.
See Joke Hermes’s (2006) ‘The Tragic Success of Feminism’, in (eds) Joanne Hollows and Rachel Moseley, Feminism in Popular Culture, Oxford: Berg, 79–96.
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© 2008 Kristyn Gorton
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Gorton, K. (2008). Hysterical Desire. In: Theorising Desire. Palgrave Macmillan, London. https://doi.org/10.1057/9780230582248_3
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