Abstract
While debates continue about how third wave feminism might be defined, it is generally agreed that this ‘wave’ embraces the diversity of women; and that it refuses the homogenising definition of woman-as-victim, as well as the universal ‘solutions,’ associated with second wave feminism. This clearly implies a generational approach to feminist history. But just as the spurious distinction between ‘activist’ and ‘theoretical’ feminisms, summarised as ‘Anglo-American versus French’ in discussions in the late 1980s and 1990s, ignored the majority of the world’s women, so, third wave feminism risks repeating the complacent assumption that the West is the world. Leslie Heywood and Jennifer Drake have highlighted ‘the profound influence of U.S. Thrid World feminism on the third wave’ (9), pointing up the ways in which the essays in their collection, Third Wave Agenda, have found in the work of writers such as bell hooks, Chela Sandoval, Toni Morrison and Audre Lorde (to name only a few) ‘languages and images that account for multiplicity and difference, that negotiate contradiction in affirmative ways, and that give voice to a politics of hybridity and coalition’ (9). Although Heywood and Drake do warn of the dangers of appropriation and borrowing by white US (third wave) feminists, I remain concerned about the place of ‘Third World’ women’s texts in the genealogy of the waves. Alka Kurian puts the issues succinctly:
While feminists would surely not deny that the oppression of women is a matter of international concern, the west has tended to dominate both the theoretical and practical aspects of the movement. The customary division of the history of feminism into “waves” stands as a good example of this, since these categorisations are conventionally organised around American and European events and personalities. Thus, however unintentionally, the “grand narrative” of feminism becomes the story of western endeavour, and relegates the experience of non-western women to the margins of feminist discourse. (66)
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Notes
Ahmed, Sara. Strange Encounters: Embodied Others in Post-Coloniality. London: Routledge, 2000.
Amireh, Amal, and Lisa Suhair Majaj. Introduction. Going Global: The Transnational Reception of Third World Women Writers. Ed. Amal Amireh and Lisa Suhair Majaj. New York: Garland, 2000. 1–25.
Baumgardner, Jennifer, and Amy Richards. Manifesta: Young Women, Feminism, and the Future. London: Farrar, Straus and Giroux, 2000.
Djebar, Assia. Women of Algiers in their Apartment. Charlottesville: Virginia UP, 1992.
Gilbert, Sandra, and Susan Gubar. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. New Haven: Yale UP, 1979.
Heywood, Leslie, and Jennifer Drake. Introduction. Third Wave Agenda: Being Feminist, Doing Feminism. Ed. Leslie Heywood and Jennifer Drake. Minneapolis: Minnesota UP, 1997. 1–20.
Huggan, Graham. The Postcolonial Exotic: Marketing the Margins. London: Routledge, 2001.
Kincaid, Jamaica. Lucy. New York: Plume, 1991.
Kurian, Alka. ‘Feminism and the Developing World.’ The Icon Critical Dictionary of Feminism and Postfeminism. Ed. Sarah Gamble. Cambridge: Icon, 1999. 66–79.
Mohanty, Chandra Talpade. ‘Feminist Encounters: Locating the Politics of Experience,’ Destabilizing Theory: Contemporary Feminist Debates. Ed. Michele Barrett and Anne Phillips. London: Polity, 1992. 74–92.
Moredecai, Pamela, and Betty Wilson. Introduction. Her True-True Name: An Anthology of Women’s Writing from the Caribbean. Ed. Pamela Moredecai and Betty Wilson. London: Heinemann, 1989. i–xviii.
Morgan, Robin. Introduction: Planetary Feminism: The Politics of the 21st Century. Sisterhood is Global: The International Women’s Movement Anthology. London: Penguin, 1984. 1–37.
Rhys, Jean. Voyage in the Dark. Jean Rhys: The Early Novels: Voyage in the Dark, Quartet, After Leaving Mr Mackenzie, Good Morning, Midnight. Intro. Diana Athill. London: Andre Deutsch, 1984. 17–129.
Rhys, Jean. Wide Sargasso Sea. Harmondsworth: Penguin, 1988.
Spivak, Gayatri Chakravorty. ‘Three Women’s Texts and a Critique of Imperialism,’ ‘Race’, Writing and Difference. Ed. Henry Louis Gates Jr. Chicago: Chicago UP, 1986. 262–280.
Spivak, Gayatri Chakravorty. ‘Questions of Multi-Culturalism.’ The Post-Colonial Critic: Interviews, Strategies, Dialogues. Ed. Sarah Harasym. New York: Routledge, 1990. 59–66.
Spivak, Gayatri Chakravorty. ‘Can the Subaltern Speak?’ Colonial Discourse and Postcolonial Theory: A Reader. Ed. Patrick Williams and Laura Chrisman. New York: Columbia UP, 1994. 66–111.
Walker, Alice. In Search of Our Mothers’ Gardens: Womanist Prose. London: Women’s Press, 1984.
Woodhull, Winifred. ‘Global Feminisms, Transnational Political Economies, Third World Cultural Production,’ Third Wave Feminism and Women’s Studies. Ed. Stacy Gillis and Rebecca Munford. Spec, issue of Journal of International Women’s Studies 4.2 (2003). <http://www.bridgew.edu/SoAS/jiws/April03/>.
Editor information
Editors and Affiliations
Copyright information
© 2004 Palgrave Macmillan, a division of Macmillan Publishers Limited
About this chapter
Cite this chapter
Narain, D.d. (2004). What Happened to Global Sisterhood? Writing and Reading ‘the’ Postcolonial Woman. In: Gillis, S., Howie, G., Munford, R. (eds) Third Wave Feminism. Palgrave Macmillan, London. https://doi.org/10.1057/9780230523173_20
Download citation
DOI: https://doi.org/10.1057/9780230523173_20
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-51406-9
Online ISBN: 978-0-230-52317-3
eBook Packages: Palgrave Religion & Philosophy CollectionPhilosophy and Religion (R0)