Abstract
This chapter takes as its starting point the translation into English in 1871 of Plato’s Symposium, a series of dialogues devoted to the praise and nature of love. Benjamin Jowett, the distinguished classics scholar, introduced Plato to the University of Oxford in his reform of the Greats Curriculum, enshrining Plato, as Linda Dowling has argued, ‘at the institutional heart of elite Victorian values’.1 Around the same time, the Symposium was reaching a wider audience: in 1839, Mary Shelley was in the process of arranging the posthumous publication of a complete edition of Shelley’s works, including the translation of the Symposium that she had transcribed for him in the late summer of 1818. She was necessarily guarded about Plato’s unequivocal validation of homosexuality, though, encountering objections to its publication in full (it would not be published in unexpurgated form until 1931). Within the university, Greek studies operated as a ‘homosexual code’.2 ‘You’ve read the Symposium?’ Clive Durham asks Maurice, in E.M. Forster’s posthumously published novel of same-sex love. Maurice, responding to their embryonic desire, had not known that ‘it’ could be mentioned, ‘and when Durham did so in the middle of the sunlit court a breath of liberty touched him’.3
First then, human beings were formerly not divided into two sexes, male and female; there was also a third, common to both others, the name of which remains, though the sex itself has disappeared. The androgynous sex, both in appearance and in name, was common to both male and female; its name alone labours under a reproach.
Plato, Symposium
You must remember in our Universities, Plato is held to be little better than a misleader of youth.
Dr Folliott, Crotchet Castle
This is a preview of subscription content, log in via an institution.
Buying options
Tax calculation will be finalised at checkout
Purchases are for personal use only
Learn about institutional subscriptionsPreview
Unable to display preview. Download preview PDF.
Notes
Linda Dowling, Hellenism and Homosexuality in Victorian Oxford, Ithaca, NY and London: Cornell University Press, 1994, p. 77
E.M. Forster, Maurice, Harmondsworth: Penguin, 1985, p. 50.
Anne Herrmann, Queering the Moderns, Basingstoke: Palgrave, 2000, p. 148.
Edward Carpenter, My Days and Dreams, London: Allen & Unwin, 1916, p. 196.
Beverley Thiele, ‘Coming-of-Age: Edward Carpenter on Sex and Reproduction’, in Edward Carpenter and Late Victorian Radicalism, ed. Tony Brown, London: Frank Cass, 1990, p. 100.
James Notopoulos, The Platonism of Shelley: A Study of Platonism and the Poetic Mind, Durham, NC: Duke University Press, 1949, p. 389.
James D. Steakley, ‘Per scientam ad justitiam: Magnus Hirschfeld and the Sexual Politics of Innate Homosexuality’, in Vernon Rosario, ed., Science and Homosexualities, London: Routledge, 1997
Xavier Mayne (pseud.), The Intersexes: A History of Similisexualism As a Problem in Social Life, [Rome]: privately printed, 1908, p. x.
Michel Foucault, History of Sexuality: An Introduction, trans. Robert Hurley, Harmondsworth: Penguin, 1990, p. 43.
Kari Weil, Androgyny and the Denial of Difference, Charlottesville and London: University of Virginia Press, 1992, p. 3.
Sigmund Freud, ‘The Sexual Aberrations’ (1905), in On Sexuality, Pelican Freud, Vol. 7, Harmondsworth: Penguin, 1987, p. 46.
M.H. Abrams, Natural Supernaturalism: Tradition and Revolution in Romantic Literature, New York: W.W. Norton, 1971, p. 155
Andrea Dworkin, Woman Hating, New York: Plume, 1974, pp. 167–73
Wendy Doniger, ‘The Evolution of the Androgyne in India’, in Women, Androgynes, and Other Mythical Beasts, Chicago and London: University of Chicago Press, 1980, pp. 310–30
Edward Carpenter, Intermediate Types Among Primitive Folk, London: George Allen, 1914.
Mircea Eliade, The Two and the One, trans. J.M. Cohen, London: Harvill Press, 1965, p. 104.
Barbara Charlesworth Gelpi, ‘The Politics of Androgyny’, in Women’s Studies 2 1974, pp. 151–60 at p. 152.
M.H. Abrams, Natural Supernaturalism: Tradition and Revolution in Romantic Literature, Oxford: Oxford University Press, 1971, p. 155.
Theodor J. Faithfull, The Mystery of the Androgyne: Three Papers on the Theory and Practice of Psycho-Analysis, London: Forum Publishing Company, 1938, p. vii.
Charles Darwin, The Descent of Man, cited in Bram Dijkstra, Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siècle Culture, New York and Oxford: Oxford University Press, 1986, p. 171.
Diana Collecott, HD and Sapphic Modernism 1910–1950, Cambridge: Cambridge University Press, 1999, p. 52.
Wayne Andersen, Freud, Leonardo da Vinci and the Vulture’s Tail: A Refreshing Look at Leonardo’s Sexuality, New York: Other Press, 2001, p. 4.
Sander L. Gilman et al. eds, Reading Lreud’s Reading, New York and London: New York University Press, 1994.
Arthur Scherr, ‘He notoriously overstates the significance of a passage in Da Vinci’s writing that describes his infantile memory of a vulture opening his mouth with its tail and repeatedly striking against his lips’, ‘Leonardo da Vinci, Sigmund Freud, and Fear of Flying’, Midwest Quarterly: A Journal of Contemporary Thought, 42:2, 2001, p. 123.
Richard Dellamora, Masculine Desire: The Sexual Politics of Victorian Aestheticism, Chapel Hill and London: University of North Carolina Press, 1990
Mario Praz, ‘The Androgyne is the artistic sex par excellence, realized in the creations of Leonardo.’ In The Romantic Agony, trans. Angus Davidson, Oxford: Oxford University Press, 1933, p. 334.
Walter Pater, ‘Leonardo da Vinci’, in The Renaissance: Studies in Art and Poetry, Oxford: Oxford University Press, 1986
George Chauncey, Gay New York: Gender, Urban Culture and the Making of the Gay Male World 1890–1940, New York: HarperCollins, 1994.
Alfred W. Herzog, Introduction to Earl Lind, The Autobiography of an Androgyne, New York: Medico-Legal Journal, 1918, p. ii.
Richard von Krafft-Ebing, Psychopathia Sexualis, trans. Jack Hunter, New York: Creation Books, 1997, p. 171.
Francette Pacteau, ‘The Impossible Referent: Representations of the Androgyne’, in Victor Burgin et al., eds, Formations of Fantasy, London and New York: Routledge, 1986, p. 74.
Camille Paglia, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson, New Haven, CT: Yale University Press, 1990, p. 402
Julia Epstein, Altered Conditions: Disease, Medicine and Story Telling, London and New York: Routledge, 1995, p. 6.
Diana Holmes, Rachilde: Decadence: Gender and the Woman Writer, Oxford and New York: Berg, 2001, p. 119.
Author information
Authors and Affiliations
Copyright information
© 2005 Tracy Hargreaves
About this chapter
Cite this chapter
Hargreaves, T. (2005). Classical to Medical. In: Androgyny in Modern Literature. Palgrave Macmillan, London. https://doi.org/10.1057/9780230510579_2
Download citation
DOI: https://doi.org/10.1057/9780230510579_2
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-50794-8
Online ISBN: 978-0-230-51057-9
eBook Packages: Palgrave Literature & Performing Arts CollectionLiterature, Cultural and Media Studies (R0)