Abstract
In his influential essay of 1992 on ‘Visualising the Division of Labour’, John Barrell argued that the ‘totalising discourse’ of the division of labour articulates a ‘subject which defines its own partiality even as it denies it’. The subject must claim for itself a viewpoint from which it can grasp the coherence of the social whole; a coherence invisible to all those pursuing their different occupations within society by virtue of the specialization their occupations demand. But the subject must also acknowledge its own view as partial, as the interested view made available by its peculiar occupation within the division of labour. It must therefore always admit the validity or authority of the competing discourses articulated from other subject positions, other occupational viewpoints. The discourse of the division of labour must define itself as both more than, and just one of, the ‘hubbub of voices, which together produce the representation of a society irretrievably atomised and dispersed.’1
This essay was first written for a conference on ‘Spies and Surveillance’ organized by Ian McCalman and John Barrell at the Humanities Research Centre, ANU, Canberra, and has benefited from the comments of audiences there and at the University of Chicago, as well as at the Centre for Eighteenth Century Studies at the University of York. I am particularly grateful to my colleague, James Watt, for his acute and helpful comments.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Notes
John Barrell, ‘Visualising the Division of Labour: William Pyne’s Microcosm’, in his The Birth of Pandora and the Division of Knowledge (London: Macmillan, 1992), pp. 118, 116.
John Barrell, Imagining the King’s Death: Figurative Treason, Fantasies of Regicide, 1793–1796 (Oxford: Oxford University Press, 2000), pp. 51, 81.
John Barrell, ‘Coffee-House Politicians’, in Journal ofBritish Studies, vol 43, no. 2 (April 2004), pp. 206–232.
Vicesimus Knox, The Spirit of Despotism (Morris-Town: Jacob Mann, 1799), section 24, p. 180; s. 1, pp. 11, 6; s. 13, p. 98; s. 35, p. 268; s. 14, pp. 108, 110.
‘Mucius’, ‘To the editor of the Morning Chronicle’, letter 1, 1 Feb. 1793, in William Godwin, Uncollected Writings (1785–1822): Articles in Periodicals and Six Pamphlets, intro., Jack W. Marken and Burton R. Pollin (Gainesville, FL: Scholars’ facsimiles and reprints, 1968), pp. 111, 113.
See, for example, Gregory Dart’s illuminating reading of the politics of Caleb Williams in his Rousseau, Robespierre and English Romanticism (Cambridge: Cambridge University Press, 1999), ch. 4.
Jane Austen, Northanger Abbey, Lady Susan, The Watsons, and Sanditon, ed., John Davie (Oxford: Oxford University Press, 1971, 1985), p. 159.
Albert Goodwin, The Friends ofLiberty: the English Democratic Movement in the Age of the French Revolution (Cambridge, MA: Harvard University Press, 1979), p. 249.
On Erskine, see Lorraine Fletcher, Charlotte Smith: A Critical Biography (London: Palgrave Macmillan, 1998), pp. 237–8. On Wordsworth, see Nicholas Roe, Wordsworth and Coleridge: The radical years (Oxford: Clarendon Press, 1988), pp. 42–3.
T.J. Clark, Farewell to an Idea: Episodes from a history of modernism (New Haven, CT: Yale University Press, 1999), p. 8.
Charlotte Smith, Desmond, eds Antje Blank and Janet Todd (London: Pickering & Chatto, 1997), p. 230; further refs (D) in text to this edition.
Nicola Watson, Revolution and the Form of the British Novel, 1790–1825: Intercepted Letters, Interrupted Seductions (Oxford: Clarendon Press, 1994), p. 36, see p. 37.
The politics of Desmond have been the occasion for critical debate for some years. See for example, Diana Bowstead, ‘Charlotte Smith’s Desmond: The Epistolary Novel as Ideological Argument’, in Mary Anne Schofield and Cecilia Macheski, eds, Fetter’d or Free: British Women Novelists, 1670–1815 (Athens, OH: Ohio University Press, 1986), pp. 237–63; Chris Jones, Radical Sensibility: Literature and Ideas in the 1790s (London: Routledge, 1993); Alison Conway, ‘Nationalism, Revolution, and the Female Body: Charlotte Smith’s Desmond’, Women’s Studies (1995), 24, pp. 395–409; Eleanor Wikborg, ‘Political Discourse versus Sentimental Romance: Ideology and Genre in Charlotte Smith’s Desmond (1792)’, English Studies (1997), 6, pp. 522–31.
Vivien Jones, ‘“The Coquetry of Nature”: Politics and the Picturesque in Women’s Fiction’, in The Politics of the Picturesque: Literature, landscape and aesthetics since 1770, eds Stephen Copley and Peter Garside (Cambridge: Cambridge University Press, 1994), pp. 132, 133.
Charlotte Smith, The Old Manor House, ed., Anne Henry Ehrenpreis, intro., Judith Phillips Stanton (Oxford: Oxford University Press, 1989), pp. 92–3; further refs in text to this edition.
See Fletcher, Smith (1998), and Florence M. Hilbish, Charlotte Smith, Poet and Novelist (1749–1806) (Philidelphia, PA: Pennsylvania University Press, 1941).
[Mary Hays], ‘Mrs. Charlotte Smith’, in Public Characters of 1800–1801 (London: R. Phillips, 1807), pp. 62–3.
Elizabeth Montagu to Elizabeth Carter, MO 3702, [Sandleford], 22 July [1792], in Leonore Helen Ewert, ‘Elizabeth Montagu to Elizabeth Carter: Literary Gossip and Critical Opinions from the Pen of the Queen of the Blues’ (unpublished PhD dissertation, Claremont Graduate School and University Centre, 1968), p. 196.
See Jacqueline M. Labbe, ‘Selling One’s Sorrows: Charlotte Smith, Mary Robinson, and the Marketing of Poetry’, Wordsworth Circle, 1994. See also Sarah Zimmerman, ‘Charlotte Smith’s Letters and the Practice of Self-Representation’, Princeton University Library Chronicle (1991), 53(1), pp. 50–77.
Charlotte Smith, The Banished Man. A Novel 4 vols, (London: T. Cadell, 1794), Vol 2 ‘Avis au Lecteur’, p. 10; further refs (BM) in text to this edition.
Charlotte Smith, Marchmont: A Novel 4 vols, (London: Sampson Low, 1796), Vol 4, p. 330. All further refs (M) in text to this edition.
Charlotte Smith, The YoungPhilosopher, ed., Elizabeth Kraft (Lexington: University Press of Kentucky, 1999), Preface, p. 5. All further refs (YP) in text to this edition.
Katie Trumpener, Bardic Nationalism: The Romantic Novel and the British Empire (Princeton, NJ: Princeton University Press, 1997), pp. 138, 141.
Ibid., p. 141.
Sydney Owenson, Lady Morgan, The Wild Irish Girl: A National Tale, ed., with intro., Claire Connolly and Stephen Copley; foreword, Kevin Whelan (London: Pickering & Chatto, 2000), p. 43.
Claire Connolly, ‘Introduction: The Politics of Love in the Wild Irish Girl’, in Owenson, introduction, pp. xxxvi-vii, xlviii.
See p. 185n, where Owenson notes La Tocnaye’s observation, in his Promenade d’un Franfais dans l’Irlande, that parts of Ireland are ‘less known than islands in the Pacific Ocean’. See Connolly, Intro., pp. liii-lv.
Knox, Despotism section 24, p. 180; s. 1, pp. 11, 6; s. 13, p. 98; s. 35, p. 268; s. 14, pp. 108, 110.
Watson argues that both narratives are ‘intensely overdetermined’, central to ‘a novel which betrays the hopelessly beleaguered state of sentimental discourse at the end of the decade by systematically subjecting it to a simulacrum of conservative plotting’. I admire Watson’s brief exposition of the novel, but I want to look in more detail at her account of it as a question of ‘whether firstperson narrative … will come to carry enough authority to discredit the web of second- and third-hand gossip’. See Watson, Form, pp. 58–9.
Eleanor Ty, Unsex’d Revolutionaries: Five Women Novelists of the 1790s (Toronto: University of Toronto Press, 1993), p. 153.
For a fuller discussion of these issues see my Small Change: Women, Learning, Patriotism, 1750–1810 (Chicago, IL: Chicago University Press, 2000), esp. Pt 4.
William Godwin, Things As They Are: or The Adventures of Caleb Williams, ed. and intro., Maurice Hundle (Harmondsworth: Penguin, 1988), p. 193. See ‘Avis au Lecteur’, BM 2, pp. vii and n.
William Cowper, The Task, Bk 5, ‘The Winter Morning Walk’, 11, pp. 415–17, 421–4, in William Cowper, The Task and Selected Other Poems, ed., James Sambrook (London: Longman, 1994).
Editor information
Editors and Affiliations
Copyright information
© 2005 Harriet Guest
About this chapter
Cite this chapter
Guest, H. (2005). Suspicious Minds: Spies and Surveillance in Charlotte Smith’s Novels of the 1790s. In: de Bolla, P., Leask, N., Simpson, D. (eds) Land, Nation and Culture, 1740–1840. Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print. Palgrave Macmillan, London. https://doi.org/10.1057/9780230502048_9
Download citation
DOI: https://doi.org/10.1057/9780230502048_9
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-51475-5
Online ISBN: 978-0-230-50204-8
eBook Packages: Palgrave Literature & Performing Arts CollectionLiterature, Cultural and Media Studies (R0)