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‘If You Want to Be Like Me, Train!’: the Contradictions of Soviet Masculinity

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Abstract

‘If you want to be like me, train!’ a Soviet athlete declaims in a 1950 sport poster (Fig. 5).1 The message to the boy who sits beside him, looking admiringly at the man’s massive biceps, is that he too can become a Soviet sportsman if he works properly and diligently. This was the predominant message of athletics to Soviet citizens throughout the postwar period. Athletes were presented to the public as exemplars of three principles. The first was that pre-eminence in sport was more a function of systematic training than of talent. Secondly, any Soviet citizen could achieve such pre-eminence and by doing so would con-tribute to the nation’s greatness. And thirdly, it was the responsibility of Soviet men and women who did become sports heroes to serve as examples, especially to the younger generation.

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Notes

  1. It is worth noting that these athletic biographies have much in common with the life histories analyzed by R. W. Connell in ‘An Iron Man: the Body and Some Contradictions of Hegemonic Masculinity’, Sport, Men, and the Gender Order: Critical FeministPerspectives, ed. Michael A. Messner and Donald F. Sabo (Champaign, Ill., 1990). Note especially the relationship between the development of heroes and the development of a particular style of masculinity as ‘hegemonic’. Many American sports movies (for example, The Karate Kid series, Hoosiers, even Bull Durham) have similar plots. Differences arise in the ways in which particular ideologies shape the narrative structure of these biographies.

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  2. See Robert Edelman, Serious Fun (Oxford, 1993), 132, for more on Strel’tsov and the effects of his behavior on the performance of Soviet elite soccer teams.

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© 2002 Julie Gilmour and Barbara Evans Clements

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Gilmour, J., Clements, B.E. (2002). ‘If You Want to Be Like Me, Train!’: the Contradictions of Soviet Masculinity. In: Clements, B.E., Friedman, R., Healey, D. (eds) Russian Masculinities in History and Culture. Palgrave Macmillan, London. https://doi.org/10.1057/9780230501799_12

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