Conclusion: The Tricky Politics of Viewing Pleasure
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In this chapter I turn first to the most wide-ranging conclusions of this study that relate, in this instance, to Hindi films and the ways in which viewers in general appear to interact with them. As such, the theoretical positions delineated here should be seen as informing and inflecting many of the other findings on gender, sexuality, ethnicity, class, context and spectatorship that follow.
KeywordsGender Identity Film Viewing Young Audience Ideological Discourse Ideological Critique
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