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The ‘Art’ of Cosmetic Surgery: Medicine, Metaphor and Meaning

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Cosmetic Surgery, Gender and Culture
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Abstract

Medical, scientific and ‘popular medical’ literature on cosmetic surgery is overwhelming in volume. This chapter incorporates material drawn from books, medical journal papers, articles found in cosmetic surgery advertising and material intended to inform the public. The resulting corpus represents technical work in the area as well as material written by experts but intended for the public. I use this collection to identify and map the analytic repertoires traced in previous chapters; that is, nature, agency and vanity. This chapter seeks to address a set of questions also posed for the project as a whole: can shared terms and assumptions be identified across discourses which deal with cosmetic surgery? If so, what do those shared terms and assumptions mean for gender? The becomings of the biomedical imaginary body will be investigated through this material, as will any intertextual processes at work between medical, feminist and magazine discourse. I ask, how much do these quite different, sometimes conflicting discursive arenas share, and how does this relate to contemporary notions of gender?

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Notes

  1. See Kevin Smith (MD), ‘Rhinoplasty for African-Americans on the Rise’, The Crisis, vol. 101, no. 1, 1994, p. 14. Interestingly, 80 per cent of these patients undergoing rhinoplasty to modify the ‘ethnicity’ of the nose are women. Also see ‘Plastic Surgeons’ Ethnic Challenges’, USA Today, vol. 121–2, no. 2572, January 1993.

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  2. See Donald Marshall’s Your Face in Their Hands, Hill of Content, Melbourne, 1998; Darryl Hodgkinson, ‘A Place for Cosmetic Surgery: Part 1. The Face’, Modern Medicine ofAustralia, vol. 36, no. 3, March 1993, p. 37. On another tack, Libby Harkness, in Skin Deep: A Consumers Guide to Cosmetic Surgery in Australia, Doubleday, Sydney, 1994, provides a short section on cultural differences in preferences for surgical procedures, though here the question is not related specifically to altering those features understood to be cultural markers.

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  14. Kathy Davis’s findings support this view. She states that ‘[p]hysicians systematically withhold information or downplay the risks of surgery’. See Kathy Davis, Reshaping the Female Body: The Dilemma of Cosmeric Surgery, Routledge, New York and London, 1995, p. 157. Informed consent, for Davis, is the evaluation of information provided and considered under less than ideal conditions. See pp. 157–8.

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© 2003 Suzanne Fraser

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Fraser, S. (2003). The ‘Art’ of Cosmetic Surgery: Medicine, Metaphor and Meaning. In: Cosmetic Surgery, Gender and Culture. Palgrave Macmillan, London. https://doi.org/10.1057/9780230500228_6

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