Abstract
This chapter introduces the theoretical and methodological tools I intend to use in the second of my two major lines of inquiry for this book — the production of preferred readings through mutual constitution in discourses on cosmetic surgery. These tools, intertextuality and interpretive repertoires, will be used to analyse the discourses around cosmetic surgery I mentioned earlier, in order to shed light upon the way cosmetic surgery acts as a technology of gender through its construction of preferred readings. In the first section of this chapter I investigate the value of notions of intertextuality to my analysis and at the same time confront the use of the concept of polysemy that characterises much cultural criticism at present. While the term ‘polysemy’ refers to the presence of more than one possibility for the interpretation of a text, more than one semiotic function, it is frequently used to argue for a limitless range of possible interpretations. It is the latter appropriation of the term that I tackle in this chapter. My use of theories of intertextuality is contingent upon adapting them so that neither an entirely closed and controlled process of reading, nor an entirely open or free one is implied. In the second section I explore the concept of interpretive repertoires’ as developed by Potter and Wetherell in their book, Discourse and Social Psychology: Beyond Attitudes and Behaviour.
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Notes
Michael Worton and Judith Still, ‘Introduction’, in Michael Worton and Judith Still (eds), Intertextuality: Theories and Practices, Manchester University Press, Manchester and New York, 1990, p. 21.
Stuart Hall, ‘Encoding/Decoding’, in Culture, Media, Language, Hutchinson, London, 1980, p. 134.
Simon During, The Cultural Studies Reader, Routledge, London and New York, 1993, p. 9.
Joke Hermes, ReadingWomen’sMagazines, Polity, Cambridge, 1995, p. 10.
Ibid., p. 25.
Ibid., p. 21.
Ibid., p. 15.
Ibid., p. 4.
Catharine Lumby, Bad Girls, Allen and Unwin, St Leonards, 1997, p. xxiv.
Ibid., p. xxv.
Ibid., p. 93.
Ibid., p. 13.
Ibid., p. 25.
Ibid., p. 8.
John Frow, ‘Intertextuality and Ontology’, in Worton and Still, Intertextuality, p. 45.
Ibid., p. 45.
Michael Riffaterre, ‘Interpretation and Undecidability’, New Literary History, 1981, pp. 227–234.
Catherine Waldby, AIDS and the Body Politic, Routledge, London and New York, 1996, p. 5.
Norman Fairclough, ‘Discourse and Text: Linguistic and Intertextual Analysis within Discourse Analysis’, in Critical Discourse Analysis: The Critical Study of Language, Longman, London and New York, 1995, p. 188.
Michael Riffaterre, Text Production, Terese Lyons (trans.), Columbia University Press, New York, 1983, p. 120.
Roland Barthes, The Pleasure of the Text, (trans. R. Miller), Jonathan Cape, London, 1976, p. 3.
Klaus Bruhn Jensen, The Social Semiotics of Mass Communication, Sage, London and Thousand Oaks, Cal., 1995.
Margaret Wetherell, ‘Linguistic Repertoires and Literary Criticism: New Directions for a Social Psychology of Gender’, in Sue Wilkinson (ed.), Feminist Social Psychology: Developing Theory and Practice, Open University Press, Milton Keynes, 1986, p. 90.
Jonathan Potter and Margaret Wetherell, Discourse andSocialPsychology:BeyondAttitudes andBehaviour, Sage, London, 1987, pp. 157 and 149.
G. Vaughan and M. Hogg, Introduction to Social Psychology, Prentice Hall, Sydney, 1995, p. 2.
Ibid., p. 5.
Emily Martin, The Woman in the Body: A Cultural Analysis of Reproduction, Beacon Press, Boston, 1987.
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© 2003 Suzanne Fraser
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Fraser, S. (2003). The Pressures of the Text: Intertextuality and Preferred Readings. In: Cosmetic Surgery, Gender and Culture. Palgrave Macmillan, London. https://doi.org/10.1057/9780230500228_3
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DOI: https://doi.org/10.1057/9780230500228_3
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-51160-0
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