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Conclusions

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Male Myths and Icons
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Abstract

One word that comes to mind, after surveying these images of men, and some images used by men, in a wide variety of genres and media, is ambivalence. Just as Superman hides the diffident figure of Clark Kent, so many other images of men are more complex than first meets the eye. Thus perhaps the most famous, or infamous, images of male depredation are found in pornography, yet I have argued that these images also reveal intense deprivation and infantile yearning.

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10 Conclusions

  • Philip French, Westerns (London: Seeker and Warburg, 1977) p. 52.

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  • 4. Richmal Crompton, ‘William’s Evening Out’, in William the Fourth (London: Macmillan, 1983) p. 98.

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  • 8. Described in Graham McCann, Rebel Males (London: Hamish Hamilton, 1991).

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  • 9. K. Marx, ‘A Contribution to the Critique of Hegel’s Philosophy of Right. Introduction’, in Karl Marx: Early Writings (Harmondsworth: Penguin, 1975) p. 244.

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  • 14. Polly Toynbee, Radio Times, 18–24 June 1994, p. 28.

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Authors

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Jo Campling

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© 1995 Roger Horrocks

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Horrocks, R. (1995). Conclusions. In: Campling, J. (eds) Male Myths and Icons. Palgrave Macmillan, London. https://doi.org/10.1057/9780230389397_10

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