Abstract
The claim of an Anglo-American cultural tradition to primacy in the New World was made at the earliest opportunity and in the harshest of terms. Among the most ubiquitous, if not the most violent, of these claims is the enduring assumption of importance regarding the founding fathers of the Massachusetts Bay colony and the characteristic style of their rhetoric. I want to explore in this chapter the ways in which the typological rhetoric of the orthodox New England clergy was used for hegemonic purposes in order to claim, if not to preserve, a share of political power in the evolving colonial government. The ideological dimensions of colonial allegory become apparent when the rhetoric of American exceptionalism is contrasted with a style of allegorical discourse that was used to deny the existence of a pattern of significant providential correspondences which define the New World as a redeemer nation. The conflict between John Cotton and Roger Williams which took place in the 1630s and concerned the coercive behaviour of the Massachusetts Bay theocracy, as regards the related issues of ‘state worship’ and freedom of conscience, illustrates the cultural purposes served by the typological allegories constructed by the earliest settlers.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Notes
Harry S. Stout, The New England Soul: Preaching and Religious Culture in Colonial New England (New York & Oxford: Oxford University Press, 1986)
Ann Kibbey, The Interpretation of Material Shapes in Puritanism: A Study of Rhetoric, Prejudice, and Violence (Cambridge: Cambridge University Press, 1986).
See also Teresa Toulouse, The Art of Prophesying: New England Sermons and the Shaping of Belief (Athens & London: University of Georgia Press, 1987).
See, particularly, Sacvan Bercovitch, The Puritan Origins of the American Self (New Haven & London: Yale University Press, 1975)
Sacvan Bercovitch, The American Jeremiad (Madison & London: University of Wisconsin Press, 1978)
Sacvan Bercovitch, Bercovitch (ed.), The American Puritan Imagination: Essays in Revaluation (Cambridge: Cambridge University Press, 1974).
Philip Gura, A Glimpse of Sion’s Glory: Puritan Radicalism in New England, 1620–1660 (Middletown, Conn.: Wesleyan University Press, 1984), p. 11.
A. C. Charity, Events and Their Afterlife: The Dialectics of Christian Typology in the Bible and Dante (Cambridge: Cambridge University Press, 1966).
Stephen Fender, American Literature in Context, I: 1620–1830 (London & New York: Methuen, 1983), p. 49.
Larzer Ziff (ed.), John Cotton on the Churches of New England (Cambridge, Mass.: The Belknap Press of Harvard University Press, 1968), p. 4.
Roger Williams, ‘Mr. Cotton’s Letter Lately Printed, Examined and Answered’, in Perry Miller (ed.), The Complete Writings of Roger Williams (New York: Russell & Russell, 1963), p. 360. Future references are given in the text.
Edmund S. Morgan, Roger Williams: The Church and the State(New York: Harcourt, Brace & World, 1967), pp. 137–42.
John Cotton, ‘The Bloody Tenent Washed and Made White in the Blood of the Lamb’, (1647).
Reprinted in Alan Heimert & Andrew Delbanco (eds), The Puritans in America: A Narrative Anthology (Cambridge, Mass. & London: Harvard University Press, 1985), pp. 203–4.
Samuel Danforth, ‘A Brief Recognition of New England’s Errand into the Wilderness’, reprinted in A. W. Plumstead (ed.), The Wall and the Garden: Selected Massachusetts Election Sermons, 1670–1775 (Minneapolis: University of Minnesota Press, 1968), p. 70.
Author information
Authors and Affiliations
Copyright information
© 1996 Deborah L. Madsen
About this chapter
Cite this chapter
Madsen, D.L. (1996). Allegory in Colonial New England. In: Allegory in America. Studies in Literature and Religion. Palgrave Macmillan, London. https://doi.org/10.1057/9780230379930_3
Download citation
DOI: https://doi.org/10.1057/9780230379930_3
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-39594-1
Online ISBN: 978-0-230-37993-0
eBook Packages: Palgrave Literature & Performing Arts CollectionLiterature, Cultural and Media Studies (R0)