Abstract
Although The Well-Beloved did not appear in volume form until March 1897, it was written in late 1891 and early 1892 and published as a weekly serial in the Illustrated London News from October to December 1892.1 It was the heavily revised book version that Hardy referred to (in a letter to Sir George Douglas) as a “fanciful, tragicomic, half allegorical tale of a poor Visionary pursuing a Vision”.2 Fanciful it certainly is. Of his central character, the sculptor Jocelyn Pierston, Hardy writes in the second chapter:
To his Well-Beloved he had always been faithful; but she had had many embodiments. Each individuality known as Lucy, Jane, Flora, Evangeline, or what-not, had been merely a transient condition of her. He did not recognize this as an excuse or as a defence, but as a fact simply. Essentially she was perhaps of no tangible substance; a spirit, a dream, a frenzy, a conception, an aroma, an epitomized sex, a light of the eye, a parting of the lips. God only knew what she really was; Pierston did not. She was indescribable. (10–11)
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Notes
See Helmut E. Gerber, ‘Hardy’s The Well-Beloved as a Comment on the Well-Despised’, English Language Notes, I (1963), 49–50.
J. H. Lucking, Railways of Dorset : An Outline of their Establishment, Development and Progress from 1825 ([Lichfield, Staffs.], 1968), pp. 20, 34–35.
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© 1994 Michael Millgate
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Millgate, M. (1994). The Well-Beloved. In: Thomas Hardy. Palgrave Macmillan, London. https://doi.org/10.1057/9780230379534_24
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DOI: https://doi.org/10.1057/9780230379534_24
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