Abstract
The first president of the Female Writers’ Club and employed by Oxford University Press, she published poems, novels, and memoirs. The Lonely Generation (1934) is autobiographical, and Grey Ghosts and Voices (1976) consists of thinly disguised personal reminiscences. Her aspiration to train as an actress were thwarted by the First World War in which her fiancé, Bevil Quiller-Couch, was killed. The first-person pronoun which dominates the slim volume In War Time (1917) is sometimes personal but often ungendered and universalizing. She published two other poetry collections, The Splendid Days (1919) and The House of Hope (1923).
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Suggested Reading
Fyfe, Charlotte (ed.). The Tears of War: The Love Story of a Young Poet and a War Hero (Upavon: Cavalier, 2000).
Suggested Reading
Griffin, Gabriele. ‘Becoming as Being: Leonora Carrington’s Writings and Paintings 1937–40’, in Griffin (ed.), Difference in View: Women and Modernism (London: Taylor & Francis, 1994) 92–107.
Suleiman, Susan Rubin. Subversive Intent: Gender, Politics and the Avant-Garde (London and Cambridge, MA: Harvard University Press, 1990).
Suggested Reading
Anderson, Carol and Ailenn Christianson (eds). Scottish Women’s Fiction, 1920s to 1960s: Journeys Into Being (East Linton: Tuckwell Press, 2000).
Gifford, Douglas and Dorothy McMillan (eds). A History of Scottish Women’s Writing (Edinburgh: Edinburgh University Press, 1997).
Suggested Reading
Diski, Jenny. ‘Homage to Barbara Cartland’, London Review of Books 16.16 (1994) 26–7.
Heald, Tim. A Life ofLove: Barbara Cartland (London: Sinclair-Stevenson, 1994).
Suggested Reading
de Jongh, Nicholas. Politics, Prudery and Perversions: The Censoring of the English Stage, 1901–1968 (London: Methuen, 2000).
Mitchison, Naomi. ‘A Note on the Literary Decencies’, You May Well Ask: A Memoir1920–1940 (London: Gollancz, 1979) 171–80.
Travis, Alan. Bound and Gagged: A Secret History of Obscenity in Britain (London: Profile Books, 2000).
Suggested Reading
Merry, Bruce. ‘Annie Vivanti’, in Rinaldina Russell (ed.), Italian Women Writers (London: Greenwood, 1994) 441–6.
Parati, Graziella. ‘Maculate Conceptions’, Romance Languages Annual, 7 (1995) 327–32.
Suggested Reading
Cadogan, Mary and Patricia Craig. You’re a Brick, Angela! The Girls’ Story, 1839–1985 (London: Gollancz, 1986).
Hunt, Peter (ed.) Children’s Literature: An Illustrated History (Oxford: Oxford University Press, 1995).
Hunt, Peter, Children’s Literature: A Guide (Oxford: Blackwell, 2001).
Suggested Reading
Colby, Vineta. “Devoted Amateur”: Mary Cholmondeley and Red Pottage’, Essays in Criticism, 20 (April 1970) 213–28.
Lubbock, Percy. Mary Cholmondeley: A Sketch from Memoty (London: Jonathan Cape, 1928).
Showalter, Elaine. A Literature of Their Own (1977; rev. edn London: Virago Press, 1982).
Suggested Reading
Light, Alison. Forever England: Femininity, Literature and Conservatism Between the Wars (London: Routledge, 1991).
Plain, Gill. Twentieth-Century Crime Fiction: Gender, Sexuality and the Body (Edinburgh: Edinburgh University Press, 2001).
Rowland, Susan. From Agatha Christie to Ruth Rendell (Basingstoke: Palgrave Macmillan, 2001).
Suggested Reading
Donald, James, Anne Friedberg and Laura Marcus (eds). ‘Close Up’, 1927–1933: Cinema and Modernism (London: Cassell, 1998).
Haskell, Molly. From Reverence to Rape: the Treatment of Women in the Movies (New York: Holt, Rinehart & Winston, 1974).
Kaplan, E. Ann (ed.). Women in Film Noir (London: BFI, 1998).
Ryall, Tom. Britain and the American Cinema (London: Sage, 2001).
Suggested Reading
Cole, G. D. H. The Fabian Society: Past and Present (London: The Fabian Society, 1942).
Cole, Margaret. Growing Up into Revolution (London: Longmans, 1949).
Suggested Reading
Thompson, Willie. The Good Old Cause: British Communism, 1920–1991 (London: Pluto Press, 1992).
Worley, Matthew. Class Against Class: The Communist Party in Britain (London: I. B. Tauris, 2001).
Suggested Reading
Dick, K. (ed.). Ivy and Stevie: Ivy Compton-Burnett and Stevie Smith, Conversations and Reflections (London: Duckworth, 1971).
Gentile, Kathy Justice. Ivy Compton-Burnett (London: Macmillan Education, 1991).
Spurling, Hilary. Ivy: The Life of Ivy Compton-Burnett (New York: Knopt, 1984).
Suggested Reading
Horner, Avril and Sue Zlosnik. Gothic and the Comic Turn (Basingstoke: Palgrave Macmillan, 2004).
Horner, Avril and Sue Zlosnik. ‘Skin Chairs and Other Domestic Horrors: Barbara Comyns and the Female Gothic Tradition’, Gothic Studies, 6.1 (May 2004) 90–102.
Suggested Reading
Benson, John. The Rise of Consumer Society in Britain, 1880–1980 (New York: Longmans, 1994).
Cross, Gary. Time and Money: The Making of Consumer Culture (London: Routledge, 1993).
Humble, Nicola. The Feminine Middlebrow Novel, 1920s to 1950s: Class, Domesticity, and Bohemianism (Oxford: Oxford University Press: 2001).
Lunt, Peter and Sonia Livingstone, Mass Consumption and Personal Identity (Maidenhead: Open University Press, 1992).
Suggested Reading
Leathard, Audrey. The Fight for Family Planning (London: Macmillan, 1980).
Szreter, Simon. Fertility, Class and Gender in Britain, 1860–1940 (Cambridge: Cambridge University Press, 1996).
Suggested Reading
Cooper, Jilly. Introduction to The New House by Lettice Cooper (London: Persephone, 2003) v–xvi.
Duffy, Maureen. Introduction to The New House by Lettice Cooper (London: Virago, 1987) vii–xv.
King, Francis. Introduction to Fenny by Lettice Cooper (London: Virago, 1987) v–ix.
Suggested Reading
Federico, Annette R. Idol of Suburbia. Marie Corelli and Late-Victorian Literary Culture (Charlottesville, VA: University Press of Virginia, 2000).
Masters, Brian. Now Barabbas was a Rotter: The Extraordinary Life of Marie Corelli (London: Hamilton, 1978).
Scott, William Stuart. Marie Corelli: The Story of a Friendship (London: Hutchinson, 1955).
Suggested Reading
Dowson, Jane. Women, Modernism and British Poetry, 1910–39: Resisting Femininity (Aldershot: Ashgate, 2002).
Fowler, Helen. ‘Frances Cornford’, in Edward Shils and Carmen Blacker (eds), Cambridge Women: Twelve Portraits (Cambridge: Cambridge University Press, 1996) 137–57.
Raverat, Gwen. Period Piece: A Cambridge Childhood (London: Faber, 1960).
Suggested Reading
Cadogan, Mary. Richmal Crompton: The Woman Behind William (London: Unwin, 1987).
Cadogan, Mary and Patricia Craig. You’re A Brick, Angela: A New Look At Girls’ Fiction, 1839 to 1975 (London: Gollancz, 1976).
Suggested Reading
Chisholm, Anne. Nancy Cunard (London: Sidgwick & Jackson, 1979).
Young, Tory. ‘The Reception of Nancy Cunard’s Negro Anthology’, in Maralou Joannou (ed.), Women Writers of the 1930s: Gender, Politics and History (Edinburgh: Edinburgh University Press, 1999) 113–22.
Young, Tory. ‘Nancy Cunard’s Black Man and White Ladyship as Surrealist Manifesto’, in Robin Hackett et al. (eds), British Women Write the 1930s (Gainesville, FL: Florida University Press, 2004).
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Copyright information
© 2006 Faye Hammill, Esme Miskimmin and Ashlie Sponenberg
About this chapter
Cite this chapter
Hammill, F., Miskimmin, E., Sponenberg, A. (2006). C. In: Hammill, F., Miskimmin, E., Sponenberg, A. (eds) Encyclopedia of British Women’s Writing 1900–1950. Palgrave Macmillan, London. https://doi.org/10.1057/9780230379473_3
Download citation
DOI: https://doi.org/10.1057/9780230379473_3
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-0-230-22177-2
Online ISBN: 978-0-230-37947-3
eBook Packages: Palgrave Literature & Performing Arts CollectionLiterature, Cultural and Media Studies (R0)