Abstract
The range of Thackeray’s achievements as novelist, short story writer, familiar essayist, travel writer, illustrator, lecturer, versifier, playwright, journalist, and editor illustrates what George Saintsbury called a “many-sidedness” that continues to call forth new studies of him and his work. As organizer of an edition of Thackeray’s works, Saintsbury appropriately made chronology the guiding principle of his edition. On the one hand, he believed that “perhaps none have shown the actual characteristics of their genius—the gem while yet enclosed in the matrix—so remarkably as he did. The Thackeray of 1863 is in the Thackeray of 1833.” On the other hand, however, he also believed that “few men of genius have had a longer or more arduous process of ‘getting ready’—of completely freeing that genius from hamper and restraint.”1 In following this development, one should hope to be guided by Saintsbury’s dual awareness.
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Notes
The work had two publishers: John Mitchell in London, and Rittner and Goupil in Paris. Although the wrapper proclaimed a publication date of 1 March 1836, Mitchell and Thackeray were. still corresponding during March regarding an incomplete set of drawings (Letters, 1: 299–300). The best study is Selma Muresianu’s “Thackeray’s Flore et Zéphyr,” Harvard Library Bulletin, 27 (April 1979): 223–44.
Letters of Thomas Carlyle to his Youngest Sister, ed. Charles Townsend Copeland (London: Chapman and Hall, 1899), p. 86.
For details concerning Dando see The Letters of Charles Dickens, ed. Madelaine House, Graham Story, and Kathleen Tillotson, Vol. 3 (Oxford: Clarendon Press, 1974): 291n.
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© 1998 Edgar F. Harden
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Harden, E.F. (1998). Chapter One. In: Thackeray the Writer. Palgrave Macmillan, London. https://doi.org/10.1057/9780230377417_1
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DOI: https://doi.org/10.1057/9780230377417_1
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