Abstract
Elementary forms of liturgical life convey a sense of unction in the function. Where it exists, the actors play in a way that suggests the heavenly born on earthly leave of absence. There is a balming quality in their act. The liturgical actors seem well filled with grace in their parts. Unctuousness conveys dissimilar, more worldly sentiments. It is a quality of the fawning classes seeking to entice the unwary into sticky relationships. Their oiliness feigns interest to entrap the unwary in a gush of flattery that should warn the wise. Both qualities, so near yet so far apart in meanings, suggest a need for subtle discrimination. Each has a seductive quality that can lead or mislead. Whereas unction conveys qualities beyond calculation, unctuousness embodies its use.
And he dreamed, and behold a ladder set up on the earth, and the top of it reached to heaven; and behold the angels of God ascending and descending on it.
(Genesis 28: 12)
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Notes and References
Simon Tugwell, ‘Spirituality and Negative Theology’, New Blackfriars, vol. 68, no. 805, May 1987, p. 260.
John F. Teahan, ‘A Dark and Empty Way: Thomas Merton and the Apophatic Tradition’ The Journal of Religion, vol. 58, 1978, p. 269.
Hugo Rahner, Man at Play, trans. Brian Battershaw and Edward Quinn, London: Burns & Oates, 1965, p. 65.
Kurt Riezler, ‘Play and Seriousness’, The Journal of Philosophy, vol. 38, no. 19, September 1941, p. 517.
Erving Goffman, ‘Fun in Games’, in Encounters, London: Penguin, 1972, p. 24.
Richard H. Grathoff, The Structure of social inconsistencies. A contribution to a unified theory of play, game, and social action, The Hague: Martinus Nijhoff, 1970, pp. 144–148.
Thomas Clifton, Music as Heard. A Study in Applied Phenomenology, New Haven: Yale University Press, 1983, pp. 274–275.
Rowan Williams, ‘Balthasar and Rahner’ in John Riches, ed., The Analogy of Beauty. The Theology of Hans Urs von Balthasar, Edinburgh, T. & T. Clark, 1986, pp. 26–29.
T. F. O’Meara, ‘Notes of Art and Theology: Hans Urs von Balthasar’s Systems’, in Theological Studies, vol. 42, 1981, pp. 273–276.
Author information
Authors and Affiliations
Copyright information
© 1991 Kieran Flanagan
About this chapter
Cite this chapter
Flanagan, K. (1991). Apophatic Liturgy: Re-presenting the Absent in Rite. In: Sociology and Liturgy. Palgrave Macmillan, London. https://doi.org/10.1057/9780230375383_12
Download citation
DOI: https://doi.org/10.1057/9780230375383_12
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-39017-5
Online ISBN: 978-0-230-37538-3
eBook Packages: Palgrave Religion & Philosophy CollectionPhilosophy and Religion (R0)