Abstract
The frequency and insistence with which the situations and dilemmas portrayed in the texts discussed here reappear in other novels of the period confirm their significance as fundamental and continuing problems of female existence. The approach to these problems differs widely however. While many were eager to depict reality ‘as it was’, some sought to exemplify the damaging effects of the ‘poison at the source’ by constructing desperate and tragic resolutions to their protagonists’ plights. Others, however, sought to devise new ways of being which transcended actuality and through which a degree of fulfilment and a (moderately) happy ending could be achieved. A brief glance at a further sample of novels will confirm these views.
Female rebellion may be perfectly justified, but there’s no good universe next door, no way out, young potential revolutionaries can’t find their revolution. So they marry in defeat or go mad in a complicated form of triumph, their meaning the inevitability of failure … Pain is the human condition, but more particularly … the female condition.
Patricia Meyer Spacks, The Female Imagination
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Notes
Radclyffe Hall, The Unlit Lamp, with an Introduction by Zoé Fairbairns (London: Virago, 1981 ), p. 287.
John Masefield, Preface to the first edition reprinted in Flora M. Mayor, The Third Miss Symons ( London: Virago, 1980 ).
Flora M. Mayor, The Rector’s Daughter ( Harmondsworth: Penguin, 1982 ), p. 137.
Rosamond Lehmann claimed that she was moved by the ‘poignancy of her moral grandeur’, ’These Novels should live’, John O’London’s Weekly (28 February 1941) cited in Sybil Oldfield, Spinsters of this Parish. The Life and Times of F.M. Mayor and Mary Sheepshanks ( London: Virago, 1984 ), p. 282.
Winifred Holtby, The Crowded Street ( London: Virago, 1981 ), p. 232.
Eliot Bliss, Saraband ( London: Virago, 1986 ), p. 45.
Catherine Carswell, Open the Door! ( London: Virago, 1986 ), p. 389.
E. Arnot Robertson, Ordinary Families ( London, Virago, 1982 ).
(Winifred) Bryher, Development ( London: Constable, 1920 ), p. 140.
F. Tennyson Jesse, A Pin to See the Peepshow ( London: Virago, 1982 ).
See the useful discussion of this in Patricia Meyer Spacks, The Female Imagination ( New York: Alfred A. Knopf, 1975 ) pp. 113–58.
See Elaine Showalter, The Female Malady ( New York: Pantheon Books, 1985 )
Barbara H. Rigney, Madness and Sexual Politics in the Feminist Novel. Studies in Brontë, Woolf, Lessing and Atwood ( Madison: Wisconsin University Press, 1978 ).
See Sandra Gilbert and Susan Gubar, No Man’s Land. The Place of the Woman Writer in the Twentieth Century, vol. 2, Sexchanges (New Haven and London: Yale University Press, 1988–9).
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© 1992 Penny Brown
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Brown, P. (1992). Conclusion. In: The Poison at the Source. Palgrave Macmillan, London. https://doi.org/10.1057/9780230373167_7
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DOI: https://doi.org/10.1057/9780230373167_7
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