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Figures of Exchange: A Poststructuralist Semiotics of Reading

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Hermeneutic Desire and Critical Rewriting
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Abstract

In the foregoing chapters I have reviewed recent practices of reading based on subjective and sociocultural negotiation (reader-response), rhetorical subversion (deconstruction), and a non-oedipal, anti-phallogocentric model of literary exchange (femin-ism). Loosely allied under a common critique of text-centered hermeneutics, these poststructuralist and reader-oriented approaches allow interpretive subjects to intervene more actively in the process of narrative exchange. Critical reading in this perspective is no longer an ancillary activity, passively receiving ‘the imprint of the poem’, but ‘an active, self-ordering and self-corrective process’2 which leads to a reformulation of textual and readerly grids. But while these models of recreative reading allow us to engage more meaningfully with the texts of our culture, freeing us from the immediate pressures of the conformity-to-thetext ideology, their interpretive effectiveness is conditioned by our awareness of the epistemological assumptions and articulatory strategies that we bring to bear on texts. In what follows, I intend to pursue this line of thought further, seeking ways in which the critical philosophies of poststructuralism can be used more rigorously to highlight the articulatory models on which narratives and our interpretations rely. What I am in effect proposing is a synthesis, however provisional, between the revisionistic, anti-systematic disposition of poststructuralism and the investigative rigour of cultural semiotics. Each perspective would act as a facilitator and corrective for the other; together they could provide us with finer critical tools and a more nuanced understanding of the acts of appropriation, reformulation, and self-recreation involved in reading.

… The simplest truth about a human entity, a situation, a relation, an aspect of life, however small, … strains ever… toward the uttermost end or aim of one’s meaning or of its own numerous connections; struggles at each step, and in defiance of one’s raised admonitory finger, fully and completely to express itself. Any real art of representation is, I make out, a controlled and guarded acceptance, in fact a perfect economic mastery, of that conflict…

James, The Art of the Novel (p. 278)

We interpret what we see and experience in the light of the ideologies that mold us, as we try to bear witness to the diversity as well as to the permanent structures of mankind … We say that rejection manifests a failure of the reader’s accommodation to new parameters. But what is acceptance? Only when one has reduced a society or a piece of literature to congruency with one’s own prejudices does one have a feeling of proper understanding.

Pierre Maranda, ‘The Dialectic of Metaphor’1

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Notes and References

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© 1992 Marcel Cornis-Pop

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Cornis-Pope, M. (1992). Figures of Exchange: A Poststructuralist Semiotics of Reading. In: Hermeneutic Desire and Critical Rewriting. Palgrave Macmillan, London. https://doi.org/10.1057/9780230371378_5

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