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How Can We Fail to Respond?

Progress, regress—e ao outro óso

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Part of the book series: Modern and Contemporary Poetry and Poetics ((MPCC))

Abstract

So a neighbor—did he catch me flying low?—invites me to throw together a few lines on our responsibility to Africa, particularly meridional Africa, just like that, at once. You have a fine plume, he tells me, before I manage to bury my head, like an eagle or a parrot. And even just like that: how could I fail to respond, to provide what is called response? How could I fail to respond before a neighbor as before Africa, before a neighbor, and, therefore, with Africa—but, even before that, in the name of what or whom? Out of simple human responsibility in a general sense? (My neighbor had just returned from South Africa, where he had participated in a meeting of The Charter of Human Responsibilities, an alter-globalization initiative.)

To a memory with no reminiscence

Humberto Díaz Casanueva

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Notes

  1. Arthur Rimbaud, A Season in Hell and The Drunken Boat, trans. Louise Varèse (New York: New Directions Publishing, 1961), 89.

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  2. Pablo Neruda, “Towards the Splendid City” [Hacia la ciudad espléndida.], Nobel lecture, The Nobel Foundation. Stockholm. Dec. 13, 1971.

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  3. Andrés Ajens, La última carta de Rimbaud, (Santiago: Intemperie, 1996).

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  4. Violeta Parra, Décimas, Autobiografía en vers, (Santiago: Sudamericana, 1998), 182.

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  5. Jacques Derrida and Hélène Cixous, Voiles, (Paris: Galilée, 1998).

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  6. Gabriela Lavarello, Artistas Plásticos en el Perú, 1535–2005 (Lima, 2005).

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  7. Zacarias Alavi Mamani, “correspondencias,” Jacket, 32 (April 2007), http://jacketmagazine.com/32/k-corres.shtml.

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  8. Chus Pato. Hordes of Writing, trans. E. Moure (Exeter, UK: Shearsman, 2011).

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© 2011 Andrés Ajens

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Ajens, A. (2011). How Can We Fail to Respond?. In: Poetry After the Invention of América. Modern and Contemporary Poetry and Poetics. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230370678_14

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