Abstract
In 1843, an article in The Nation observed how
We now have statues to William the Dutchman, to the four Georges — all either German by birth or German by feeling (…), while not a single statue of the many celebrated Irishmen whom their country should honour adorns a street or square of our beautiful metropolis.1
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Notes
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The best survey is Judith Hill, Irish public sculpture: a history (Dublin, 1998), ch.2, though the chronological scope of the book rules out detailed treatment.
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CARD, vii, 75; R. McKenzie and G. Nisbet, Public sculpture of Glasgow (Liverpool, 2002), p. 68.
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Quoted in A. Kelly, ‘Van Nost’s equestrian Statue of George I’, IAR Yearbook, 2 (1995): 103–7, p. 105.
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Quoted in E. Sagarra, ‘Frederick II and his image in eighteenth-century Dublin’, Hermathena, 142 (1987): 50–8, p. 50.
W. Wilde, ‘Illustrious physicians and surgeons in Ireland, no. 2: Bartholomew Mosse’, Dublin Quarterly Journal of Medical Science, 2 (1846): 565–96, pp. 583–4.
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B. McCormack, Perceptions of St. Patrick in eighteenth-century Ireland (Dublin, 2000), ch. 4, esp. p. 74.
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H.F. Berry, ‘House and shop signs in Dublin in Dublin in the seventeenth and eighteenth centuries’, JRSAI, 20 (1910): 81–98.
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N. Sheaff, ‘Jarratt and rococo’, Irish Arts Review, 1/3 (1984), 50–2;
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J. Kelly, ‘Infanticide in eighteenth-century Ireland’, Irish Economic and Social History, 19 (1992): 5–26, p. 15.
T. Longstaffe-Gowan, ‘Brazen proclamations: the deployment of statuary in some early London garden squares’, Sculpture Journal, 18/1 (2009): 52–66.
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© 2012 Robin Usher
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Usher, R. (2012). Public Sculpture after 1700. In: Protestant Dublin, 1660–1760. Early Modern History: Society and Culture. Palgrave Macmillan, London. https://doi.org/10.1057/9780230362161_4
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