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South African Transition in the Literary Imagination: Nadine Gordimer, J.M. Coetzee, Malika Lueen Ndlovu

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Part of the book series: Palgrave Macmillan Memory Studies ((PMMS))

Abstract

This chapter explores the relationship between cultural products and historical change, examining how contemporary South African writers engage with South Africa’s past and present, writing ‘Transition’ into the literary imagination. ‘Transition’ is one of the terms which is used to describe the period between 1990 and 1994 — that is, between Nelson Mandela’s release from prison and his election as President; it is also referred to as ‘dismantling apartheid’ and ‘the creation of the Rainbow Nation’. In the public sphere, this process of dismantling was carried out in newspapers, political speeches and texts. This chapter examines the cultural importance of literary texts which hold up a mirror to transitional processes, offering a space where fears and misgivings which may not have a place in official discourse can be thematized. Acting as a container and giving a ‘name to what has no name, especially to what the language of politics excludes’, literature acts as ‘one of a society‘s instruments of self-awareness … because its origins are connected with the origins of various types of knowledge, various codes, various forms of critical thought’.1

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Notes

  1. Italo Calvino (1986), The Uses of Literature, translated by Patrick Creagh (San Diego, CA, New York, London: Harcourt Brace & Company), pp. 89–101, here p. 97.

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  2. Malika Lueen Ndlovu (2000), ‘We’ve only just begun … ’, in Born in Africa but (Cape Town: Educall Publishers), p. 24.

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  3. See M. Merleau-Ponty (1964), Le Visible et l’invisible, suivi de notes de travail, edited by Claude Lefort (Paris: Gallimard).

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  4. John Szrakowski, quoted in Susan Sontag (1977), On Photography (New York, NY: Farrar, Straus and Giroux), p. 192.

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  5. John Berger and Jean Mohr (1995), Another Way of Telling (New York, NY: Vintage International), p. 89.

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  6. Jerry N. Uelsmann, surrealist American photographer, quoted in Sontag (1977), p. 200.

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  7. Salman Rushdie (1991), ‘Imaginary Homelands’, in Imaginary Homelands. Essays and Criticism 1981–1991 (London: Granta Books), pp. 9–36, here p. 14.

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© 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited

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Reif-Huelser, M. (2012). South African Transition in the Literary Imagination: Nadine Gordimer, J.M. Coetzee, Malika Lueen Ndlovu. In: Assmann, A., Shortt, L. (eds) Memory and Political Change. Palgrave Macmillan Memory Studies. Palgrave Macmillan, London. https://doi.org/10.1057/9780230354241_8

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