Abstract
An LAPD detective and a master thief discuss their respective lives over a cup of coffee. They comment upon their chosen careers, their relations with women, the dreams that haunt them, and the consensus that neither would change how they are. Each man has a personal notion of who he is and what he is doing and, although they are different, their commitment to their chosen beliefs, the individual philosophy each man lives by, is recognisable to the other. They sympathise with the other’s position, yet both are prepared to kill the other if necessary. This commitment is the manner in which they have defined their existence, and the preceding and subsequent events are the consequences of their own personal philosophies, giving them complete freedom and responsibility for the world that they inhabit.
This is a preview of subscription content, log in via an institution.
Buying options
Tax calculation will be finalised at checkout
Purchases are for personal use only
Learn about institutional subscriptionsPreview
Unable to display preview. Download preview PDF.
Copyright information
© 2011 Vincent M. Gaine
About this chapter
Cite this chapter
Gaine, V.M. (2011). Introduction. In: Existentialism and Social Engagement in the Films of Michael Mann. Palgrave Macmillan, London. https://doi.org/10.1057/9780230348448_1
Download citation
DOI: https://doi.org/10.1057/9780230348448_1
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-33672-2
Online ISBN: 978-0-230-34844-8
eBook Packages: Palgrave Media & Culture CollectionLiterature, Cultural and Media Studies (R0)